Scottish art in the nineteenth century is the body of visual art made in Scotland, by Scots, or about Scottish subjects. This period saw the increasing professionalisation and organisation of art in Scotland. Major institutions founded in this period included the Institution for the Encouragement of the Fine Arts in Scotland, the Royal Scottish Academy of Art, the National Gallery of Scotland, the Scottish National Portrait Gallery and the Glasgow Institute. Art education in Edinburgh focused on the Trustees Drawing Academy of Edinburgh. Glasgow School of Art was founded in 1845 and Grays School of Art in Aberdeen in 1885.

Henry Raeburn, most famous for his intimate portraits of leading figures in Scottish life, was the first significant artist to pursue his entire career in Scotland. His pupils included the brothers William, Archibald and Andrew Robertson. The next generation of portrait painters included David Watson and John Watson Gordon. Significant Glasgow artists included John Graham-Gilbert and Daniel Macnee. David Wilkie emerged as of one of the most influential British artists of the century in a variety of forms. Alexander Nasmyth helped formulate the tradition of Scottish landscape painting, which focused in the mid-nineteenth century on the Highlands. It was taken into the late nineteenth century by artists including Horatio McCulloch, Joseph Farquharson and William McTaggart. Towards the end of the century a number of artist colonies were founded, particularly in coastal communities such as Pittenweem and Kirkcudbright. Wilkie was instrumental in the development of genre painting, which was pursued by artists including John Burnet, Alexander George Fraser and Walter Geikie. He also helped inspire the interest in Spanish and oriental painting, continued by William Allan, David Roberts and John Phillip. (Full article...)

“	Most painting in the European tradition was painting the mask. Modern art rejected all that. Our subject matter was the person behind the mask.	”
	— Robert Motherwell, The Times (November 17, 1985)

Danie Mellor (born 13 April 1971) is an Australian artist who was the winner of 2009 National Aboriginal & Torres Strait Islander Art Award. Born in Mackay, Queensland, Mellor grew up in Scotland, Australia, and South Africa before undertaking tertiary studies at North Adelaide School of Art, the Australian National University (ANU) and Birmingham Institute of Art and Design. He then took up a post lecturing at Sydney College of the Arts. He works in different media including printmaking, drawing, painting, and sculpture. Considered a key figure in contemporary Indigenous Australian art, the dominant theme in Mellor's art is the relationship between Indigenous and non-Indigenous Australian cultures.

Since 2000, Mellor's works have been included regularly in National Aboriginal & Torres Strait Islander Art Award exhibitions; in 2003 he was awarded a "highly commended", for his print Cyathea cooperi, and in 2009 he won the principal prize, for a mixed media work From Rite to Ritual. His other major exhibitions have included the Primavera 2005 show at the Museum of Contemporary Art, Sydney, and the inaugural National Indigenous Art Triennial (Culture Warriors) at the National Gallery of Australia in 2007. In 2012, his work was included in the National Museum of Australia's exhibition Menagerie: Contemporary Indigenous Sculpture as well as in the second National Indigenous Art Triennial, while international recognition came in 2013 with representation in the National Gallery of Canada's exhibition of international indigenous art. (Full article...)

• ... that The Summer Hikaru Died went from drawings on a Twitter account to receiving three times more orders than copies available in its first print run?
• ... that André Delvaux was a magic-realist filmmaker who was made a baron by the king of Belgium?
• ... that Diminish and Ascend has been called a real-life M. C. Escher drawing?
• ... that entry to the British Royal Military Academy required the use of a drawing triangle with a completely different purpose from those used today?
• ... that as a senior in high school, manga artist Yama Wayama began drawing male–male romance manga as a hobby?
• ... that the documentary Railway with a Heart of Gold has actual footage of a derailment captured whilst the filmmaker was attached to the side of the train?
• ... that after Sydney Parkinson died on the return leg of the first voyage of James Cook, some of his drawings were engraved for publication in his Journal of a Voyage to the South Seas?
• ... that The Wiccan Web recommends drawing pentagrams on your computer screen with tinctures?