Bayat e Esfahan

Bayat-e Esfahan (Persian: بیات اصفهان) is one of melodic pieces of Iranian traditional music, known as a branch of Dastgah-e Shur or Dastgah-e Homayun. Some musical theorists consider the Bayat-e Esfahan an independent dastgah within the Persian radif system.^[1]

Features

Ruhollah Khaleqi has noted that this mode conveys the emotional capacity of both happiness and sadness.^[2]

Branches

Bayat-e Esfahan has a number of branches or gushehs, including:

Daramad-e avvval (first preface)
Daramad-e dovvom (second preface)
Jame daran
Bayat-e Raje
Oshagh (owj)
Bayat-e Shiraz
Suz va Godaz
Naghme
Masnavi
Sufi name (or Saki name)

References

^ "BAYĀT-E EṢFAHĀN". Encyclopaedia Iranica.
^ الله،, خالقى، روح (2011). A look at Iranian Music. p. 181. ISBN 9789649682600. OCLC 956997616.

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[1] "BAYĀT-E EṢFAHĀN". Encyclopaedia Iranica.

[2] الله،, خالقى، روح (2011). A look at Iranian Music. p. 181. ISBN 9789649682600. OCLC 956997616.

[1]

[2]

v t e Radif
Dastgah
Dastgah	Dastgah-e Shur Dastgah-e Segah Dastgah-e Chahargah Dastgāh-e Māhur Dastgah-e Homayoun Dastgah-e Nava Dastgah-e Rastpanjgah
Āvāz	Avaz-e Dashti Avaz-e Abu'ata Avaz-e Bayat-e Tork Avaz-e Afshari Avaz-e Bayat-e Esfahan Avaz-e Bayat-e Kord
Shushtar Bayat-e Kord Bayat-e Qajar Nava-e Nishapur Rahāb
Gusha	Jāmadarān Deylaman Delkash Dād Bīdād Darāmad-e Ḵārā Darāmad-eZang-e Šotor Ḥeǰāz Čahār-bāḡ Kerešma Bozorg Neydavood Golriz
Persian scale Persian traditional music Great Book of Music Tasnif