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The Pulitzer Prize for Drama is one of the seven American Pulitzer Prizes that are annually awarded for Letters, Drama, and Music. It is one of the original Pulitzers, for the program was inaugurated in 1917 with seven prizes, four of which were awarded that year.[1] (No Drama prize was given, however, so that one was inaugurated in 1918, in a sense.)[2] It recognizes a theatrical work staged in the U.S. during the preceding calendar year.
Until 2007, eligibility for the Drama Prize ran from March 1 to March 2 to reflect the Broadway "season" rather than the calendar year that governed most other Pulitzer Prizes.
The drama jury, which consists of one academic and four critics, attends plays in New York and in regional theaters. The Pulitzer board can overrule the jury's choice; in 1986, the board's opposition to the jury's choice of the CIVIL warS resulted in no award being given.[3]
In 1955 Joseph Pulitzer, Jr. pressured the prize jury into presenting the Prize to Cat on a Hot Tin Roof, which the jury considered the weakest of the five shortlisted nominees ("amateurishly constructed... from the stylistic points of view annoyingly pretentious"), instead of Clifford Odets' The Flowering Peach (their preferred choice) or The Bad Seed, their second choice.[4] Edward Albee's Who's Afraid of Virginia Woolf? was selected for the 1963 Pulitzer Prize for Drama by that award's committee. However, the committee's selection was overruled by the award's advisory board, the trustees of Columbia University, because of the play's then-controversial use of profanity and sexual themes. Had Albee been awarded, he would be tied with Eugene O'Neill for the most Pulitzer Prizes for Drama (four).
Awards and nominations
In its first 106 years to 2022, the Drama Pulitzer was awarded 91 times; none were given in 15 years and it was never split.
The most recipients of the prize in one year was five, when Michael Bennett, James Kirkwood, Jr., Nicholas Dante, Marvin Hamlisch, and Edward Kleban shared the 1976 prize for the musical A Chorus Line.[2]
Notes
† marks winners of the Tony Award for Best Play.
* marks winners of the Tony Award for Best Musical.
≠ marks nominees of the Tony Award for Best Play or the Tony Award for Best Musical
1910s
Year | Production | Author |
---|---|---|
1917 | ||
no award[1] | — | |
1918 | ||
Why Marry? | Jesse Lynch Williams | |
1919 | ||
no award | — |
1920s
1930s
1940s
Year | Production | Author |
---|---|---|
1940 | ||
The Time of Your Life | William Saroyan | |
1941 | ||
There Shall Be No Night | Robert E. Sherwood | |
1942 | ||
no award | — | |
1943 | ||
The Skin of Our Teeth | Thornton Wilder | |
1944 | ||
no award[5] | — | |
1945 | ||
Harvey | Mary Coyle Chase | |
1946 | ||
State of the Union | Russel Crouse, Howard Lindsay | |
1947 | ||
no award | — | |
1948 | ||
A Streetcar Named Desire | Tennessee Williams | |
1949 | ||
Death of a Salesman† | Arthur Miller |
1950s
1960s
Year | Production | Author |
---|---|---|
1960 | ||
Fiorello!* | Jerome Weidman, George Abbott, Jerry Bock, and Sheldon Harnick | |
1961 | ||
All the Way Home≠ | Tad Mosel | |
1962 | ||
How to Succeed in Business Without Really Trying* | Frank Loesser and Abe Burrows | |
1963 | ||
no award[6] | — | |
1964 | ||
no award | — | |
1965 | ||
The Subject Was Roses† | Frank D. Gilroy | |
1966 | ||
no award | — | |
1967 | ||
A Delicate Balance≠ | Edward Albee | |
1968 | ||
no award | — | |
1969 | ||
The Great White Hope† | Howard Sackler |