Post-disco

Post-disco je hnutie elektronickej hudby (najmä diska), ktoré sa vyvinulo na prelome sedemdesiatych a osemdesiatych rokoch v Spojených štátoch. Toto obdobie je charakterizované rysmi experimentálnej a elektronickej hudby, keď v disko hudbe "zavládol" sampler, sekvencer, bicí automat, syntetizér aj iné elektronické hudobné nástroje.^[1] Post-disco malo vplyv na dance-pop, dance-rock, alternative dance, boogie, freestyle.^[1]^[2]^[3] Vplyvom dub dalo post-disko vzniknúť house štýlu.^[4]^[5]^[6]^[7]

Medzi post-disco hudobníkov patria Evelyn "Champagne" Kingová, D. Train, Freeez, Patrice Rushen, Thelma Houston. Medzi hudobných producentov patria Kashif, Arhur Baker, Nick Martinell, François Kevorkian, Larry Levan.^[1]

Pet Shop Boys, Madonna, New Order tiež vychádzali z tohto hnutia.^[8]

Interpreti

Boogie / R&B hudobníci a "členovia" tohto hnutia

Dance-rock / post-punk hudobníci a "členovia" tohto hnutia

Ostatní "členovia" tohto hnutia

Referencie

↑ ^a ^b ^c Explore music…Genre: Post-disco/Dance rock . Allmusic, . Dostupné online.
↑ Slant Magazine | Music | 100 Greatest Dance Songs. Retrieved on 2-2-2009
↑ Smay, David & Cooper, Kim (2001). Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears: "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. ISBN 0922915695.
↑ DEMERS, Joanna. Dancing Machines: 'Dance Dance Revolution', Cybernetic Dance, and Musical Taste. Popular Music (Cambridge Univ Press), 2006, s. 25, 401–414. DOI: 10.1017/S0261143006001012.
↑ CAMPBELL, Michael. Popular Music in America. : Cengage Learning, 2008. ISBN 0495505307. S. 352.
↑ AllMusic - explore music... House: "House music grew out of the post-disco dance club culture of the early '80s." Retrieved on 12-27-2009
↑ St. John, Graham (2004), Rave Culture and Religion, p. 50, ISBN 0415314496, " house music. As a post-disco party music, house features a repetitive 4/4 beat and a speed of 120 or more beats per minute..."
↑ Reynolds, Simon (2009) Grunge's Long Shadow - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009"

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[AMG1-1] Explore music…Genre: Post-disco/Dance rock . Allmusic, . Dostupné online.

[Slant-2] Slant Magazine | Music | 100 Greatest Dance Songs. Retrieved on 2-2-2009

[3] Smay, David & Cooper, Kim (2001). Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears: "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. ISBN 0922915695.

[DancingMachines-4] DEMERS, Joanna. Dancing Machines: 'Dance Dance Revolution', Cybernetic Dance, and Musical Taste. Popular Music (Cambridge Univ Press), 2006, s. 25, 401–414. DOI: 10.1017/S0261143006001012.

[5] CAMPBELL, Michael. Popular Music in America. : Cengage Learning, 2008. ISBN 0495505307. S. 352.

[6] AllMusic - explore music... House: "House music grew out of the post-disco dance club culture of the early '80s." Retrieved on 12-27-2009

[7] St. John, Graham (2004), Rave Culture and Religion, p. 50, ISBN 0415314496, " house music. As a post-disco party music, house features a repetitive 4/4 beat and a speed of 120 or more beats per minute..."

[shadow-8] Reynolds, Simon (2009) Grunge's Long Shadow - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009"

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