Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects and Foley for Feature Film
Country	United States
Presented by	Motion Picture Sound Editors
Currently held by	Theo Green, Mark Mangini, Dave Whitehead, Phil Barrie, Greg Ten Bosch, Lee Gilmore, Robert Kellough, Piero Mura, Christopher Bonis, Sandra Fox, Goro Koyama, Andy Malcolm – Dune (2021)

The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects and Foley for Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of sound effects and Foley. It was first awarded in 1954, for films released the previous year, under the title Best Sound Editing - Feature Film. In 1964 the award was split in two, this to honor sound effects editing, while the other honored ADR. It wasn't until 1974 that the title specified that it was being awarded to sound effects, under the title Best Sound Editing - Sound Effects. The "Foley" of the title wasn't recognized until 1997. Between then and 2018, the category's title fluctuated between similar variations. The award has been given under its current title since 2018.

Winners and nominees

1950s

Year	Film
1953	Best Sound Editing - Feature Film
	The War of the Worlds
1954	Them!
1955	This Island Earth
1956	Earth vs. the Flying Saucers
1957	The Enemy Below
1958	The Defiant Ones
1959	Ben-Hur

1960s

Year	Film
1960	Spartacus
1961	El Cid
1962	Lonely Are the Brave
	Mutiny on the Bounty
1963	How the West Was Won
1964	The Lively Set
1965	The Great Race
	Von Ryan's Express
1966	Fantastic Voyage
1967	Bonnie and Clyde
1968	Bullitt
1969	The Wild Bunch

1970s

Year	Film
1970	Patton
1971	The French Connection
1972	The Getaway

Year	Film	Winners/Nominees
1973	Best Sound Editing - Sound Effects
	The Exorcist	James Nelson, Fred J. Brown, Ross Taylor
1974	Freebie and the Bean	James Nelson, Sam F. Shaw
1975	Three Days of the Condor
1977	Close Encounters of the Third Kind
1978	Damien: Omen II
1979	The Black Stallion	Alan Splet, Ann Kroeber, Todd Boekelheide

1980s

Year	Film	Winners/Nominees
1980	The Blues Brothers
1981	Raiders of the Lost Ark
	Wolfen
1982	E.T. the Extra-Terrestrial
1983	Never Cry Wolf	Alan Splet, Robert Shoup, Teresa Eckton
	Scarface	Maurice Schell
1984	Places in the Heart	Richard P. Cirincione, Maurice Schell
	The River
	The Cotton Club	Maurice Schell
1985	Ladyhawke	Alan Robert Murray, Robert G. Henderson
	Mad Max Beyond Thunderdome	Tim Chau
1986	Top Gun
1987	Predator	Richard Shorr
1988	Die Hard	Richard Shorr
	A Cry in the Dark	Tim Chau
	The Man from Snowy River II
	Young Guns	Mark R. La Pointe
1989	The Abyss	Dody Dorn, Blake Leyh
	Born on the Fourth of July	Wylie Stateman, Michael Minkler
	Casualties of War	Maurice Schell

1990s

Year	Film	Winners/Nominees
1990	Total Recall
1991	Barton Fink
	Terminator 2: Judgment Day	Gary Rydstrom, Gloria S. Borders, Robert Shoup, Ken Fischer, Teresa Eckton, Richard Hymns, Tim Holland
1992	Under Siege	John Leveque, Bruce Stambler (supervising sound editors); Scott D. Jackson (supervising Foley editor); Becky Sullivan (supervising ADR editor); Richard Burton, Robert Bradshaw, Clayton Collins, Bruce Fortune, Hector C. Gika, Glenn Hoskinson, Williams Jacobs, Frank Kniest, John Kwiatkowski, Kimberly Ellen Lowe, Jay Nierenberg, Kim Secrist, Shawn Sykora, Donald L. Warner Jr., Richard E. Yawn (sound editors)
1993 [1]	Jurassic Park	Richard Hymns, Gary Rydstrom (supervising sound editors)
	The Fugitive	John Leveque, Bruce Stambler (supervising sound editors); John P. Fasal (sound designer); Patrick Bietz, Lance Brown, Michael Dressel, Sam Gemette, Hector C. Gika, Glenn Hoskinson, Victor Iorillo, Frank Kniest, Anthony Milch, Jay Nierenberg, Steve Schwalbe, Greg Stacy, Shawn Sykora, Donald L. Warner Jr., Marshall Winn (sound effects editors)
	Posse	Bruce Stambler (supervising sound editor); Shawn Sykora (supervising Foley editor); Lance Brown, Anthony Milch, Jay Nierenberg, Richard E. Yawn (sound effects editors)
	The Three Musketeers	Tim Chau
1994	Speed	Stephen Hunter Flick (supervising sound editor); David Bartlett, Paul Berolzheimer, Dean Beville, John T. Cucci, Ken Dufva, Donald Flick, Judee Flick, Avram D. Gold, Warren Hamilton Jr., Greg Hedgepath, Patricio A. Libenson, Dean G. Manly, Dan O'Connell, Eric Potter, Catherine Rowe, Joan Rowe, Kirk Schuler, Solange S. Schwalbe, David E. Stone, Bruce Stubblefield (sound editors)
	Clear and Present Danger	John Leveque, Bruce Stambler (supervising sound editors); Lance Brown (sound designer); Pamela Bentkowski (supervising Foley editor); Glenn Hoskinson, Frank Howard, Steve Mann, Jay Nierenberg, Jeffrey L. Sandler, David E. Stone, Donald L. Warner Jr. (sound effects editors); Christine Danelski, Jeffrey R. Payne (Foley editors)
	Stargate	Mark R. La Pointe (sound effects editor)
1995	Braveheart	Lon Bender, Per Hallberg (supervising sound editors)
	Crimson Tide	George Watters II (supervising sound editor)
	Babe	Gavin Myers
1996 [2]	Daylight	Richard L. Anderson, David A. Whittaker (supervising sound editors); Jeffrey Kaplan (sound effects editor)
	Broken Arrow	George Watters II (supervising sound editor); Victoria Martin (supervising Foley editor); Christopher Boyes, John P. Fasal (special sound effects)
	Courage Under Fire	Per Hallberg (supervising sound editor), Lon Bender (sound designer), Scott Martin Gershin (sound effects editor)
	The English Patient	Pat Jackson (supervising sound editor); Kyrsten Mate, Douglas S. Murray, Jennifer L. Ware (sound effects editors)
	Eraser	Bub Asman, Alan Robert Murray (supervising sound editors); Christopher Boyes (sound designer); Christopher Flick (supervising Foley editor); Christopher S. Aud, Patrick Bietz, John Bonds, Neil Burrow, Samuel C. Crutcher, Mike Dobie, Doug Jackson, James J. Klinger, Gary Krivacek, Walter Newman, Jayme S. Parker (sound effects editors)
	Executive Decision	Robert G. Henderson, David M. Horton (supervising sound editors); David L. Horton Jr. (supervising Foley editor)
	The Ghost and the Darkness	Bruce Stambler (supervising sound editor); Lance Brown (sound designer/effects editor); Michael Dressel (supervising Foley editor); Gordon Ecker, Glenn Hoskinson, Steve Mann, Gary Mundheim, Steve Nelson, Kim Secrist, Donald L. Warner Jr., Richard E. Yawn (sound effects editors)
	The Rock	George Watters II (supervising sound editor) Victoria Martin (supervising Foley editor, Foley artist), John P. Fasal (sound effects editor)
	Star Trek: First Contact	Cameron Frankley, James Wolvington (supervising sound editors); Pamela Bentkowski (supervising Foley editor); Jeff Clark, Scott G.G. Haller, Doug Jackson, David F. Van Slyke (sound effects editors)
1997	Best Sound Editing - Sound Effects & Foley
	Titanic	Christopher Boyes (supervising sound editor/sound designer); Tom Bellfort (supervising sound editor); Thomas W. Small (supervising Foley editor); Scott Guitteau, Shannon Mills, Christopher Scarabosio, Ethan Van der Ryn (sound effects editors); Scott Curtis, Michael Dressel, Tammy Fearing, David L. Horton Jr. (Foley editors)
	Con Air
	Contact
	Face/Off
	The Fifth Element
	L.A. Confidential
	Men in Black
	Rosewood
	Starship Troopers
1998	Saving Private Ryan	Gary Rydstrom (supervising sound editor/sound designer); Richard Hymns (supervising sound editor); Sandina Bailo-Lape (supervising Foley editor); Teresa Eckton, Frank E. Eulner, Larry Oatfield, Ethan Van der Ryn, Karen G. Wilson (sound effects editors); Bruce Lacey (Foley editor)
	Armageddon
	Blade
	Deep Impact
	Enemy of the State
	Godzilla
	Lethal Weapon 4
	The Mask of Zorro
	The Negotiator
	Ronin	Brady Schwartz (Foley editor)
	The X-Files
1999 [3]	The Matrix	Dane Davis (supervising sound editor); Eric Lindemann (sound effects designer/sound editor); Thom Brennan (supervising Foley editor); Susan Dudeck, Julia Evershade, David Grimaldi (sound editors); Valerie Davidson (Foley editor); Hilda Hodges, John Roesch (Foley artists); Nancy Barker, Barbara Delpuech, Frank Long, Noel McIntosh, David McRell (assistant sound editors); Carolyn Tapp (Foley recordist); Mary Jo Lang (Foley mixer)
	End of Days	Kelly Oxford, Michael D. Wilhoit (supervising sound editors); Chris Hogan (supervising Foley editor); Tony Lamberti, Alan Rankin (sound design editors); Christopher Assells, Kerry Carmean-Williams, Scott Martin Gershin, Hector C. Gika, Scott Sanders (sound editors); Craig S. Jaeger (Foley editor)
	Fight Club	Richard Hymns, Ren Klyce (supervising sound editors); Malcolm Fife (supervising Foley editor); Lindakay Brown, Steve Boeddeker, David C. Hughes, Kyrsten Mate, Larry Oatfield (sound editors)
	The Green Mile	Mark Mangini (supervising sound editor); Aaron Glascock (supervising Foley editor); Howell Gibbens, David E. Stone (sound editors); Solange S. Schwalbe (Foley editor)
	Inspector Gadget	Lon Bender (supervising sound editor); Craig S. Jaeger (supervising Foley editor); Christopher Assells, Scott Martin Gershin, Dan Hegeman, Philip A. Hess, Randy Kelley, Michael Regan, Frank Smathers, Jon Title (sound editors)
	The Mummy	Leslie Shatz (supervising sound editor), Jonathan Klein (supervising Foley editor), Richard Burton (sound editor), Thom Brennan (sound/Foley editor), Mark Pappas (Foley editor)
	Sleepy Hollow	Skip Lievsay (supervising sound editor); Thomas W. Small (supervising Foley editor); Richard L. Anderson, Craig Berkey, Sean Garnhart, Lewis Goldstein, John Pospisil, Paul Urmson (sound editors); Scott Curtis, Michael Dressel, Tammy Fearing, Matthew Harrison (Foley editors)
	Star Wars: Episode I – The Phantom Menace	Tom Bellfort, Ben Burtt, Matthew Wood (supervising sound editors); Teresa Eckton, Christopher Scarabosio (sound editors); Bruce Lacey, Marian Wilde (Foley editors)
	Three Kings	Bruce Fortune, John Leveque (supervising sound editors); Shawn Sykora (supervising Foley editor); Gary Blufer, Steve Mann, Anthony Milch, Terry Rodman, Aaron D. Weisblatt, Richard E. Yawn (sound editors); Bob Beher, Michael Dressel (Foley editors)

2000s

Zdroj:https://en.wikipedia.org?pojem=Golden_Reel_Award_for_Outstanding_Achievement_in_Sound_Editing_–_Sound_Effects_and_Foley_for_Feature_Film
Text je dostupný za podmienok Creative Commons Attribution/Share-Alike License 3.0 Unported; prípadne za ďalších podmienok. Podrobnejšie informácie nájdete na stránke Podmienky použitia.

---



---

www.astronomia.sk | www.biologia.sk | www.botanika.sk | www.dejiny.sk | www.economy.sk | www.elektrotechnika.sk | www.estetika.sk | www.farmakologia.sk | www.filozofia.sk | Fyzika | www.futurologia.sk | www.genetika.sk | www.chemia.sk | www.lingvistika.sk | www.politologia.sk | www.psychologia.sk | www.sexuologia.sk | www.sociologia.sk | www.veda.sk I www.zoologia.sk

---

Year	Film	Winners/Nominees
2000	Best Sound Editing - Sound Effects & Foley, Domestic Feature Film
	Gladiator	Per Hallberg (supervising sound editor); Craig S. Jaeger (supervising Foley editor); Christopher Assells (sound editor); Dino Dimuro, Richard Dwan Jr., Scott Martin Gershin, Dan Hegeman, Randy Kelley, Lou Kleinman, Mark P. Stoeckinger, Jon Title (sound editors)
	Cast Away	Dennis Leonard, Randy Thom (supervising sound editors); Sue Fox, Andrea Gard (supervising Foley editors); Ken Fischer, David C. Hughes, Stephen Kearney (sound editors)
	Crouching Tiger, Hidden Dragon	Eugene Gearty (supervising sound editor); Will Ralston (supervising Foley editor); Benjamin Cheah, Blake Leyh (sound editors)
	Gone in 60 Seconds	George Watters II (supervising sound editor); Victoria Martin (supervising Foley editor); David A. Arnold, Suhail Kafity, Adam Kopald, F. Hudson Miller, Piero Mura, R.J. Palmer, Todd Toon, Gary Wright (sound editors); Fred Burke, Matthew Harrison, James Likowski (Foley editors)
	Mission: Impossible 2	Mark P. Stoeckinger (supervising sound editor); Thomas W. Small (supervising Foley editor); Bryan Bowen, Tony Lamberti, Alan Rankin, Geoffrey G. Rubay, Scott Wolf (sound editors); Scott Curtis, Dino Dimuro, Tammy Fearing Glenn T. Morgan (Foley editors)
	The Patriot	Per Hallberg (supervising sound editor); Craig S. Jaeger (supervising Foley editor); Christopher Assells, David Baldwin, Harry Cohen, Dino Dimuro, Dan Hegeman, Paul Jyrälä, Randy Kelley, Lou Kleinman, Scott Sanders, Peter Staubli (sound editors)
	The Perfect Storm	Kelly Cabral, Wylie Stateman (supervising sound editors); Stu Bernstein, Kerry Carmean-Williams, Valerie Davidson, Scott Martin Gershin, Hector C. Gika, Randy Kelley, Scott Sanders, Jon Title, Wade Wilson (sound editors)
	Space Cowboys	Bub Asman, Alan Robert Murray (supervising sound editors); Michael Dressel (supervising Foley editor); Phil Benson, Teresa Eckton, David Farmer, Ken Fischer, Glenn Hoskinson, Jason King, Gary Krivacek, Steve Mann, Anthony Milch, Howard Neiman (sound editors)
	U-571	Jon Johnson (supervising sound editor); Miguel Rivera (supervising Foley editor); Keith Bilderbeck, Tim Gedemer, Sandy Gendler, Brian W. Jennings, Charles Maynes, Angelo Palazzo, Guy Tsujimoto (sound editors); Bruce Stubblefield, Donald Sylvester (Foley editors)
	X-Men	John A. Larsen (supervising sound editor); John Morris (supervising Foley editor); Craig Berkey, Steve Boeddeker, Beau Borders, Richard Burton, David C. Hughes, Ethan Van der Ryn, Jay Wilkinson (sound editors); Andy Kopetzky (Foley editor)
2001 [4]	Black Hawk Down	Per Hallberg, Karen Baker Landers (supervising sound editors); Craig S. Jaeger (supervising Foley editor); Christopher Assells, Dino Dimuro, Gregory Hainer, Dan Hegeman, Michael Hertlein, Michael A. Reagan, Perry Robertson, Solange S. Schwalbe, Peter Staubli, Bruce Tanis, Jon Title (sound editors)
	A.I. Artificial Intelligence	Gary Rydstrom (supervising sound editor/sound designer); Richard Hymns (supervising sound editor); Teresa Eckton, Kyrsten Mate, Christopher Scarabosio (sound effects editors); Lindakay Brown, Jonathan Null (Foley editors)
	The Fast and the Furious	Bruce Stambler, Jay Nierenberg (supervising sound editors); Charles Deenen, Tim Walston (sound effects designers); Michael Dressel (supervising Foley editor); Glenn Hoskinson, Steve Mann, Steve Nelson, Howard Neiman, Kim Secrist (sound editors); Scott Curtis, Dan Yale (Foley editors)
	Jurassic Park III	Christopher Boyes, Howell Gibbens (supervising sound editors); James Likowski (supervising Foley editor); Frank E. Eulner, Ken Fischer (sound editors)
	Lara Croft: Tomb Raider	Bub Asman, Steve Boeddeker, Alan Robert Murray (supervising sound editors); Thomas W. Small (supervising Foley editor); Ed Callahan, Ronald Eng, Frank E. Eulner, Andrea Gard, David Grimaldi, Robert Ireland, Doug Jackson, Michael Jonascu, Krysten Mate, Charles Maynes, Chuck Michael, Nigel Mills, Addison Teague (sound effects editors); Scott Curtis, Matthew Harrison (Foley editors)
	The Mummy Returns	Leslie Shatz (supervising sound editor); Malcolm Fife, Jon Olive, Ann Scibelli (sound effects editors); Jonathan Klein (Foley editor)
	Pearl Harbor	Christopher Boyes, George Watters II (supervising sound editors); Victoria Martin (supervising Foley editor); Ethan Van der Ryn (sound effects design); Beau Borders, Scott Guitteau, Suhail Kafity, Adam Kopald, F. Hudson Miller, R.J. Palmer, Christopher Scarabosio, Robert L. Sephton (sound effects editors); Matthew Harrison, James Likowski, Gary Wright (Foley editors)
	Planet of the Apes	Richard L. Anderson (supervising sound editor); John Murray (supervising Foley editor); Donald Flick, Avram D. Gold, Curt Schulkey, Marvin Walowitz, David A. Whittaker (sound effects editors); Ted Caplan, John A. Larsen, Dan Yale (Foley editors)
	Spy Game	George Watters II, F. Hudson Miller (supervising sound editors); Victoria Martin (supervising Foley editor); Ed Callahan, Suhail Kafity, R.J. Palmer, Gary Wright (sound effects editors); Matthew Harrison, James Likowski (Foley editors)
2002 [5][6]	Road to Perdition	Scott Hecker (supervising sound editor); Mark Pappas (supervising Foley editor); Jason W. Jennings, Kenneth L. Johnson, Eric A. Norris, Bruce Tanis (sound effects editors)
	The Bourne Identity	Per Hallberg, Karen Baker Landers (supervising sound editors); Craig S. Jaeger (supervising Foley editor); Christopher Assells, Mark Choi, Dino Dimuro, Dan Hegeman, Michael Hertlein, Lou Kleinman, Perry Robertson, Bruce Tanis (sound editors)
	Gangs of New York	Philip Stockton, Eugene Gearty (supervising sound editors); Frank Kern (supervising Foley editor); Kam Chan, Bruce Prosser, Steven Visscher (Foley editors)
	Minority Report	Richard Hymns, Gary Rydstrom (supervising sound editors); David C. Hughes, J.R. Grubbs, Kyrsten Mate (sound effects editors); Lindakay Brown, Jonathan Null (Foley editors)
	Panic Room	Richard Hymns, Ren Klyce (supervising sound editors); Malcolm Fife (supervising Foley editor); Eric Dachs, Luke Dunn Gielmuda, David C. Hughes, Doug Winningham (sound editors)
	Spider-Man	Susan Dudeck, Stephen Hunter Flick (supervising sound editors); Dana Gustafson (supervising Foley editor); Michael J. Benavente, Donald Flick, William Jacobs, Jon Mete, Steven Ticknor (sound effects editors)
	Star Wars: Episode II – Attack of the Clones	Ben Burtt (supervising sound editor/sound designer); Matthew Wood (supervising sound editor); Teresa Eckton, Bruce Lacey, Christopher Scarabosio (sound effects editors); Mary Helen Leasman, Kevin Sellers (Foley editors)
	We Were Soldiers	Lon Bender, Mark P. Stoeckinger (supervising sound editor); Wylie Stateman (supervising Foley editor); Gregory Hainer, Hector C. Gika, Peter J. Lehman, Michael A. Reagan, Geoffrey G. Rubay, Bruce Tanis (sound editors)
	xXx	Bruce Stambler (supervising sound editor/sound designer); Michael Dressel (supervising Foley editor); Mike Chock, Harry Cohen, Ken Fischer, Elliott Koretz, Steve Mann, Steve Nelson, Michael Payne, Kim Secrist, Tim Walston, Richard E. Yawn (sound effects editors); Frank A. Fuller Jr., Shawn Sykora (Foley editors)
2003 [7][8]	Master and Commander: The Far Side of the World	Richard King (supervising sound editor); Christopher Flick (supervising Foley editor); Michael W. Mitchell, Hamilton Sterling (sound effects editors)
	The Italian Job	Mark P. Stoeckinger (supervising sound editor); Thomas W. Small (supervising Foley editor); Bryan Bowen, Dan Hegeman, Kenneth L. Johnson, Michael Kamper, Randy Kelley, Alan Rankin, Peter Zinda (sound effects editors); Fred Burke, Ed Callahan, Willard Overstreet (Foley editors)
	Kill Bill: Volume 1	Scott Martin Gershin, Wylie Stateman (supervising sound editors); Kerry Carmean-Williams, Harry Cohen (sound designers); Bob Beher, Dino Dimuro, Dan Hegeman, Scott Sanders (sound effects editors); Craig S. Jaeger (Foley editor)
	The Last Samurai	Mark Stoeckinger (supervising sound editor); Michael Kamper, Jon Title (sound designers); Craig S. Jaeger (supervising Foley editor); Christopher Assells, Dino Dimuro, Alan Rankin, Bruce Tanis, Ben Wilkins (sound editors); Bob Beher, Frank Smathers (Foley editors)
	The Matrix Reloaded	Dane Davis (supervising sound editor/sound designer); Julia Evershade (supervising sound editor); Thom Brennan (supervising Foley editor); Richard Adrian, Michael Edward Johnson, Andrew Lackey, Mark Larry, Eric Lindemann, Michael W. Mitchell (sound effects editors)
	Open Range	Barney Cabral, Perry Robertson (supervising sound editors); Scott Sanders (sound effects designer); Stu Bernstein, Rickley W. Dumm, Frederick H. Stahly (sound editors)
	Pirates of the Caribbean: The Curse of the Black Pearl	Christopher Boyes, George Watters II (supervising sound editors); Victoria Martin (supervising Foley editor); Ken Fischer, Tim Nielsen, Addison Teague (sound effects editors); Christine Danelski, Valerie Davidson, James Likowski, Matthew Harrison, Solange S. Schwalbe (Foley editors)
	Seabiscuit	Per Hallberg, Karen Baker Landers (supervising sound editors); Craig S. Jaeger (supervising Foley editor); Christopher Assells, Dino Dimuro, Ezra Dweck, Dan Hegeman, Scott Sanders, Peter Staubli, Bruce Tanis (sound effects editors)
	Terminator 3: Rise of the Machines	Stephen Hunter Flick (supervising sound editor); Matthew C. Beville (supervising Foley editor); Paula Fairfield, Ken Fischer, Donald Flick, Jason W. Jennings, Carla Murray, Steven Ticknor, Ben Wilkins (sound editors)
2004 [9][10]	The Aviator	Eugene Gearty, Philip Stockton (supervising sound editors); Frank Kern (supervising Foley editor); Wyatt Sprague (sound effects editor); Kam Chan, Jacob Ribicoff, Steven Visscher (Foley editors)
	The Bourne Supremacy	Per Hallberg, Karen Baker Landers (supervising sound editors); Christopher Assells, Dino Dimuro, Dan Hegeman, Scott Sanders, Peter Staubli (sound editors)
	Collateral	Elliott Koretz (supervising sound editor); Thom Brennan (supervising Foley editor); Mike Chock, Steve Nelson, Michael Payne, Kim Secrist (sound editors)
	The Day After Tomorrow	Larry Kemp, Mark P. Stoeckinger (supervising sound editors); Glenn T. Morgan (supervising Foley editor/sound editor); Bob Beher, Harry Cohen, Craig S. Jaeger, Michael Kamper, Randy Keller, Alan Rankin, Ann Scibelli (sound editors)
	I, Robot	Craig Berkey (supervising sound editor/sound designer); John A. Larsen (supervising sound editor); Erik Aadahl (sound designer); John Murray (supervising Foley editor); Jay Wilkinson (sound effects editor); Stu Bernstein, Steve F. Price (Foley editors)
	Kill Bill: Volume 2	Harry Cohen, Wylie Stateman (supervising sound editors); Bob Beher, Kerry Carmean-Williams, Dino Dimuro, , Hector C. Gika, Tom Ozanich, Branden Spencer, Jon Title (sound editors)
	Million Dollar Baby	Bub Asman, Alan Robert Murray (supervising sound editors); David Grimaldi, Jason King (sound editors)
	Spider-Man 2	Paul N. J. Ottosson (supervising sound editors); Christopher Flick (supervising Foley editor); Lisa Hannan, Ai-Ling Lee, Martin Lopez, Bernard Weiser (sound effects editors); Scott G.G. Haller, Reuben Simon, Jussi Tegelman (sound editors)
2005 [11][12][13]	Best Sound Editing in Feature Film - Sound Effects & Foley
	War of the Worlds	Richard King (supervising sound editor); Christopher Flick (supervising Foley editor); Michael Babcock, Aaron Glascock, Jonathan Klein, Michael W. Mitchell, Piero Mura, Mark Pappas, Hamilton Sterling (sound editors); Michael Broomberg, Gary A. Hecker (Foley artists)
	The Chronicles of Narnia: The Lion, the Witch and the Wardrobe	Richard Beggs, George Watters II (supervising sound editors); Victoria Martin (supervising Foley editor); Heather Gross, Suhail Kafity, Chuck Michael, F. Hudson Miller, John Morris, R.J. Palmer, Todd Toon, Gary Wright (sound editors); Matthew Harrison, James Likowski (Foley editors); John T. Cucci, Dan O'Connell (Foley artists)
	The Island	Per Hallberg, Karen Baker Landers (supervising sound editor); Craig S. Jaeger (supervising Foley editor); Christopher Assells, Dino Dimuro, Dan Hegeman, Chris Hogan, Michael Payne, Peter Staubli, Bruce Tanis, Karen Vassar Triest, David Werntz (sound editors); Lou Kleinman, Dave McMoyler (Foley editors); John T. Cucci, Dan O'Connell (Foley artists)
	The Legend of Zorro	Bub Asman, Alan Robert Murray (supervising sound editors); Michael Dressel (supervising Foley editor); David Grimaldi Jason W. Jennings, Jason King (sound editors); Linda Lew, Shawn Sykora (Foley editors); Michael Broomberg, Vincent Guisetti, Pamela Kahn (Foley artists)
	Memoirs of a Geisha	Harry Cohen, Wylie Stateman (supervising sound editors); Dino Dimuro, Hector C. Gika, Ann Scibelli, Branden Spencer (sound editors); Michael Broomberg, Gary A. Hecker (Foley artists)
	Sin City	Tim Rakoczy (supervising sound editor); Craig Henighan, William Jacobs (sound designers); Paula Fairfield, Carla Murray (sound editors); Edward M. Steidele, Jerry Trent (Foley artists)
	Star Wars: Episode III – Revenge of the Sith	Ben Burtt, Matthew Wood (supervising sound editors); Teresa Eckton, Steve Slanec (sound editors); Kevin Sellers (Foley editor); Ellen Heuer, Dennie Thorpe, Jana Vance (Foley artists)
2006 [14][15][16]	Letters from Iwo Jima	Bub Asman, Alan Robert Murray (supervising sound editors); Michael Dressel (supervising Foley editor); Christopher Flick, Jason W. Jennings, Jason King, Steve Mann, Shawn Sykora (sound editors); Robin Harlan, Sarah Monat (Foley artists)
	Blood Diamond	Lon Bender (supervising sound editor); Christopher Assells, Harry Cohen, Karen Vassar Triest (sound effects editors); Craig S. Jaeger (Foley editor); David Lee Fein, Pamela Kahn, Alyson Dee Moore, John Roesch, Joseph T. Sabella, Damien Smith (Foley artists)
	Flags of Our Fathers	Bub Asman, Alan Robert Murray (supervising sound editors); Steven Ticknor (sound designer/editor); Michael Dressel (supervising Foley editor); Valerie Davidson, Jason W. Jennings, Jason King, Steve Mann, Charles Maynes (sound editors); John T. Cucci, Dan O'Connell (Foley artists)
	Mission: Impossible III	Alan Rankin, Mark P. Stoeckinger (supervising sound editors); Michael Kamper, Jon Title, Scott Wolf (sound designers/effects editors); Scott Curtis, Thomas W. Small (supervising Foley editors); Kenneth L. Johnson, Beth Sterner, Peter Zinda (sound effects editors); Linda Lew (Foley editor); Robin Harlan, Sarah Monat (Foley artists)
	Pirates of the Caribbean: Dead Man's Chest	Christopher Boyes, George Watters II (supervising sound editors); Victoria Martin (supervising Foley editor); Brent Burge, Ken Fischer, Melanie Graham, Shannon Mills, Tim Nielsen, Dee Selby, Addison Teague (sound effects editors); Matthew Harrison, James Likowski, F. Hudson Miller (Foley editors); John T. Cucci, Dan O'Connell (Foley artist)
	The Prestige	Richard King (supervising sound editor); Christopher Flick (supervising Foley editor); Paul Berolzheimer, Jonathan Klein, Michael W. Mitchell (sound editors); Alyson Dee Moore, John Roesch (Foley editors)
	Superman Returns	Craig Berkey (supervising sound editor/sound designer); Erik Aadahl (sound designer); Christopher S. Aud (sound effects editor); Craig S. Jaeger (Foley editor); Pamela Kahn, Alyson Dee Moore, John Roesch (Foley artists)
	World Trade Center	Wylie Stateman, Anne Scibelli, Renée Tondelli, Michael D. Wilhoit (supervising sound editors); Scott Curtis (supervising Foley editor); Charlie Campagna, Hector C. Gika, Linda Lew, Daniel R. Kerr, Mark Ormandy, Jeremy Pitts, Branden Spencer, Scott Wolf (sound editors); Robin Harlan, Sarah Monat, James Moriana, Jeffrey Wilhoit (Foley artists)
2007 [17]	The Bourne Ultimatum	Per Hallberg, Karen Baker Landers (supervising sound editors/sound designers); Craig S. Jaeger, Kelly Oxford (supervising Foley editors); Christopher Assells, Dino Dimuro, Hector C. Gika, Dan Hegeman, Ann Scibelli, Chris Hogan Peter Staubli, Jon Title (sound editors)
	3:10 to Yuma	Donald Sylvester (supervising sound editor/sound designer); John Murray (supervising Foley editor); Steve Bissinger, Ted Caplan, Simon Coke, Scott Curtis, Matthew Harrison (sound editors); Dawn Fintor, Elizabeth Rainey, Alicia Stevenson (Foley artists)
	American Gangster	Per Hallberg, Karen Baker Landers (supervising sound editors/sound designers); Craig S. Jaeger (supervising Foley editor); Christopher Assells, Dino Dimuro, Dan Hegeman, Peter Staubli, Jon Title (sound editors)
	I Am Legend	Skip Lievsay (supervising sound editor); Jeremy Peirson (sound designer); John Joseph Thomas (supervising Foley editor); Craig Berkey, Greg ten Bosch, Jason W. Jennings, James Morioka (sound editors); Christopher Flick, Ryan Juggler (Foley editors); Alyson Dee Moore, John Roesch (Foley artists); Johnna Chism, Joel Dougherty, Todd Harris, P.K. Hooker (assistant sound editors); John P. Fasal (field recordist); Mary Jo Lang (Foley mixer)
	No Country for Old Men	Skip Lievsay (supervising sound editor); Craig Berkey (sound editor); Catherine Harper, Christopher Moriana, Derek Vanderhorst (Foley artists)
	Pirates of the Caribbean: At World's End	Christopher Boyes, George Watters II (supervising sound editors/sound designers); Tim Nielsen, Christopher Scarabosio (sound designers); Victoria Martin (supervising Foley editor); Ken Fischer, J.R. Grubbs, David C. Hughes, Shannon Mills, Addison Teague (sound editors); Matthew Harrison, James Likowski, Thomas W. Small (Foley editors)
	Spider-Man 3	Paul N. J. Ottosson (supervising sound editor); Joseph Bonn, Greg ten Bosch, Chris M. Jacobson, Jussi Tegelman, Bernard Weiser (sound editors); Scott Curtis, Christopher Flick (Foley editors); Michael Broomberg, Gary A. Hecker (Foley artists)