Academy Award for Best Sound Mixing

Academy Award for Best Sound
Academy Award for Best Sound
Country	United States
Presented by	Academy of Motion Picture Arts and Sciences (AMPAS)
First awarded	1930
Most recent winner	Tarn Willers and Johnnie Burn ; The Zone of Interest (2023)
Website	oscars.org

The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians. The first were Murray Spivack and Jack Solomon for Hello, Dolly!.^[1] It is generally awarded to the production sound mixers, re-recording mixers, and supervising sound editors of the winning film. In the lists below, the winner of the award for each year is shown first, followed by the other nominees. Before the 93rd Academy Awards, Best Sound Mixing and Best Sound Editing were separate categories.^[2]

For the second and third years of this category (i.e., the 4th Academy Awards and the 5th Academy Awards) only the names of the film companies were listed. Paramount Publix Studio Sound Department won in both years.

Winners and nominees

1930s

Year	Film	Nominees
1929–1930 (3rd)
	The Big House	Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer
	The Case of Sergeant Grischa	RKO Radio Studio Sound Department, John Tribby
	The Love Parade	Paramount Famous Lasky Studio Sound Department, Franklin Hansen
	Raffles	United Artists Studio Sound Department, Oscar Lagerstrom
	Song of the Flame	First National Studio Sound Department, George Groves
1930–1931 (4th)
	Paramount Publix Studio Sound Department ^{[note 1]}
	Metro-Goldwyn-Mayer Studio Sound Department
	RKO Radio Studio Sound Department
	Samuel Goldwyn-United Artists Studio Sound Department
1931–1932 (5th)
	Paramount Publix Studio Sound Department ^{[note 1]}
	Metro-Goldwyn-Mayer Studio Sound Department
	RKO Radio Studio Sound Department
	Warner Bros.-First National Studio Sound Department
1932–1933 (6th)
	A Farewell to Arms	Paramount Studio Sound Department, Franklin Hansen
	42nd Street	Warner Bros. Studio Sound Department, Nathan Levinson
	Gold Diggers of 1933	Warner Bros. Studio Sound Department, Nathan Levinson
	I Am a Fugitive from a Chain Gang	Warner Bros. Studio Sound Department, Nathan Levinson
1934 (7th)
	One Night of Love	Columbia Studio Sound Department, John P. Livadary
	The Affairs of Cellini	United Artists Studio Sound Department, Thomas T. Moulton
	Cleopatra	Paramount Studio Sound Department, Franklin B. Hansen
	Flirtation Walk	Warner Bros.-First National Studio Sound Department, Nathan Levinson
	The Gay Divorcee	RKO Radio Studio Sound Department, Carl Dreher
	Imitation of Life	Universal Studio Sound Department, Theodore Soderberg
	Viva Villa!	Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer
	The White Parade	Fox Studio Sound Department, Edmund H. Hansen
1935 (8th)
	Naughty Marietta	Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer
	$1,000 a Minute	Republic Studio Sound Department
	Bride of Frankenstein	Universal Studio Sound Department, Gilbert Kurland
	Captain Blood	Warner Bros.-First National Studio Sound Department, Nathan Levinson
	The Dark Angel	United Artists Studio Sound Department, Thomas T. Moulton
	I Dream Too Much	RKO Radio Studio Sound Department, Carl Dreher
	The Lives of a Bengal Lancer	Paramount Studio Sound Department, Franklin B. Hansen
	Love Me Forever	Columbia Studio Sound Department, John P. Livadary
	Thanks a Million	20th Century-Fox Studio Sound Department, Edmund H. Hansen
1936 (9th)
	San Francisco	Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer
	Banjo on My Knee	20th Century-Fox Studio Sound Department, Edmund H. Hansen
	The Charge of the Light Brigade	Warner Bros. Studio Sound Department, Nathan Levinson
	Dodsworth	United Artists Studio Sound Department, Thomas T. Moulton
	General Spanky	Hal Roach Studio Sound Department, Elmer A. Raguse
	Mr. Deeds Goes to Town	Columbia Studio Sound Department, John P. Livadary
	The Texas Rangers	Paramount Studio Sound Department, Franklin B. Hansen
	That Girl from Paris	RKO Radio Studio Sound Department, John Aalberg
	Three Smart Girls	Universal Studio Sound Department, Homer G. Tasker
1937 (10th)
	The Hurricane	United Artists Studio Sound Department, Thomas T. Moulton
	The Girl Said No	Grand National Studio Sound Department, A. E. Kaye
	Hitting a New High	RKO Radio Studio Sound Department, John Aalberg
	In Old Chicago	20th Century-Fox Studio Sound Department, Edmund H. Hansen
	The Life of Emile Zola	Warner Bros. Studio Sound Department, Nathan Levinson
	Lost Horizon	Columbia Studio Sound Department, John P. Livadary
	Maytime	Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer
	One Hundred Men and a Girl	Universal Studio Sound Department, Homer G. Tasker
	Topper	Hal Roach Studio Sound Department, Elmer A. Raguse
	Wells Fargo	Paramount Studio Sound Department, Loren L. Ryder
1938 (11th)
	The Cowboy and the Lady	United Artists Studio Sound Department, Thomas T. Moulton
	Army Girl	Republic Studio Sound Department, Charles L. Lootens
	Four Daughters	Warner Bros. Studio Sound Department, Nathan Levinson
	If I Were King	Paramount Studio Sound Department, Loren L. Ryder
	Merrily We Live	Hal Roach Studio Sound Department, Elmer A. Raguse
	Suez	20th Century-Fox Studio Sound Department, Edmund H. Hansen
	Sweethearts	Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer
	That Certain Age	Universal Studio Sound Department, Bernard B. Brown
	Vivacious Lady	RKO Radio Studio Sound Department, John Aalberg
	You Can't Take It with You	Columbia Studio Sound Department, John P. Livadary
1939 (12th)
	When Tomorrow Comes	Universal Studio Sound Department, Bernard B. Brown
	Balalaika	Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer
	Gone with the Wind	Samuel Goldwyn Studio Sound Department, Thomas T. Moulton
	Goodbye, Mr. Chips	Denham Studio Sound Department, A. W. Watkins
	The Great Victor Herbert	Paramount Studio Sound Department, Loren L. Ryder
	The Hunchback of Notre Dame	RKO Radio Studio Sound Department, John Aalberg
	Man of Conquest	Republic Studio Sound Department, Charles L. Lootens
	Mr. Smith Goes to Washington	Columbia Studio Sound Department, John P. Livadary
	Of Mice and Men	Hal Roach Studio Sound Department, Elmer A. Raguse
	The Private Lives of Elizabeth and Essex	Warner Bros. Studio Sound Department, Nathan Levinson
	The Rains Came	20th Century-Fox Studio Sound Department, Edmund H. Hansen

1940s

Year	Film	Nominees
1940 (13th)
	Strike Up the Band	Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer
	Behind the News	Republic Studio Sound Department, Charles L. Lootens
	Captain Caution	Hal Roach Studio Sound Department, Elmer A. Raguse
	The Grapes of Wrath	20th Century-Fox Studio Sound Department, Edmund H. Hansen
	The Howards of Virginia	General Service Sound Department, Jack Whitney
	Kitty Foyle	RKO Radio Studio Sound Department, John Aalberg
	North West Mounted Police	Paramount Studio Sound Department, Loren L. Ryder
	Our Town	Samuel Goldwyn Studio Sound Department, Thomas T. Moulton
	The Sea Hawk	Warner Bros. Studio Sound Department, Nathan Levinson
	Spring Parade	Universal Studio Sound Department, Bernard B. Brown
	Too Many Husbands	Columbia Studio Sound Department, John P. Livadary
1941 (14th)
	That Hamilton Woman	General Service Sound Department, Jack Whitney
	Appointment for Love	Universal Studio Sound Department, Bernard B. Brown
	Ball of Fire	Samuel Goldwyn Studio Sound Department, Thomas T. Moulton
	The Chocolate Soldier	Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer
	Citizen Kane	RKO Radio Studio Sound Department, John Aalberg
	The Devil Pays Off	Republic Studio Sound Department, Charles L. Lootens
	How Green Was My Valley	20th Century-Fox Studio Sound Department, Edmund H. Hansen
	The Men in Her Life	Columbia Studio Sound Department, John P. Livadary
	Sergeant York	Warner Bros. Studio Sound Department, Nathan Levinson
	Skylark	Paramount Studio Sound Department, Loren L. Ryder
	Topper Returns	Hal Roach Studio Sound Department, Elmer A. Raguse
1942 (15th)
	Yankee Doodle Dandy	Warner Bros. Studio Sound Department, Nathan Levinson
	Arabian Nights	Universal Studio Sound Department, Bernard B. Brown
	Bambi	Walt Disney Studio Sound Department, Sam Slyfield
	Flying Tigers	Republic Studio Sound Department, Daniel J. Bloomberg
	Friendly Enemies	Sound Service, Inc., Jack Whitney
	The Gold Rush	RCA Sound, James L. Fields
	Mrs. Miniver	Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer
	Once Upon a Honeymoon	RKO Radio Studio Sound Department, Steve Dunn
	The Pride of the Yankees	Samuel Goldwyn Studio Sound Department, Thomas T. Moulton
	Road to Morocco	Paramount Studio Sound Department, Loren L. Ryder
	This Above All	20th Century-Fox Studio Sound Department, Edmund H. Hansen
	You Were Never Lovelier	Columbia Studio Sound Department, John P. Livadary
1943 (16th)
	This Land Is Mine	RKO Radio Studio Sound Department, Steve Dunn
	Hangmen Also Die!	Sound Service, Inc., Jack Whitney
	In Old Oklahoma	Republic Studio Sound Department, Daniel J. Bloomberg
	Madame Curie	Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer
	The North Star	Samuel Goldwyn Studio Sound Department, Thomas T. Moulton
	Phantom of the Opera	Universal Studio Sound Department, Bernard B. Brown
	Riding High	Paramount Studio Sound Department, Loren L. Ryder
	Sahara	Columbia Studio Sound Department, John P. Livadary
	Saludos Amigos	Walt Disney Studio Sound Department, Sam Slyfield
	So This Is Washington	RCA Sound, James L. Fields
	The Song of Bernadette	20th Century-Fox Studio Sound Department, Edmund H. Hansen
	This Is the Army	Warner Bros. Studio Sound Department, Nathan Levinson
1944 (17th)
	Wilson	20th Century-Fox Studio Sound Department, Edmund H. Hansen
	Brazil	Republic Studio Sound Department, Daniel J. Bloomberg
	Casanova Brown	Samuel Goldwyn Studio Sound Department, Thomas T. Moulton
	Cover Girl	Columbia Studio Sound Department, John P. Livadary
	Double Indemnity	Paramount Studio Sound Department, Loren L. Ryder
	His Butler's Sister	Universal Studio Sound Department, Bernard B. Brown
	Hollywood Canteen	Warner Bros. Studio Sound Department, Nathan Levinson
	It Happened Tomorrow	Sound Service, Inc., Jack Whitney
	Kismet	Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer
	Music in Manhattan	RKO Radio Studio Sound Department, Steve Dunn
	Voice in the Wind	RCA Sound, Mac Dalgleish
1945 (18th)
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[2]

[note 1]