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| "Unchained Melody" | |
|---|---|
 | |
| Song by Todd Duncan | |
| Released | January 19, 1955 |
| Composer(s) | Alex North |
| Lyricist(s) | Hy Zaret |
"Unchained Melody" is a 1955 song with music by Alex North and lyrics by Hy Zaret. North wrote the music as a theme for the prison film Unchained (1955),[1] hence the song title. Todd Duncan sang the vocals for the film soundtrack.[2] It has since become a standard and one of the most recorded songs of the 20th century, most notably by the Righteous Brothers in 1965.[3] According to the song's publishing administrator, over 1,500 recordings of "Unchained Melody" have been made by more than 670 artists, in multiple languages.[4]
In 1955, three versions of the song (by Les Baxter, Al Hibbler, and Roy Hamilton) charted in the Billboard top 10 in the United States,[5] and four versions (by Al Hibbler, Les Baxter, Jimmy Young, and Liberace) appeared in the top 20 in the United Kingdom simultaneously, a record for any song.[6][7] The song continued to chart in the 21st century, and it was the only song to reach number one with four different recordings in the United Kingdom until it was joined by Band Aid 30's "Do They Know It's Christmas?" in 2014.[8][9]
Of the hundreds of recordings made, the Righteous Brothers' version, with a solo by Bobby Hatfield, became the jukebox standard after its release. Hatfield changed the melody in the final verse and many subsequent covers of the song are based on his version. The Righteous Brothers recording achieved a second round of great popularity when featured in the film Ghost in 1990. In 2004, it was number 27 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.
Origin of song
| "Unchained Melody" | ||||
|---|---|---|---|---|
| Single by Les Baxter | ||||
| B-side | "Medic" | |||
| Released | February 1955 | |||
| Recorded | 1955 | |||
| Genre | Easy listening | |||
| Length | 2:30 | |||
| Label | Capitol | |||
| Songwriter(s) | Alex North, Hy Zaret | |||
| Les Baxter singles chronology | ||||
| ||||
| "Unchained Melody" | ||||
|---|---|---|---|---|
| Single by Al Hibbler | ||||
| from the album Hits by Hibbler | ||||
| B-side | "Daybreak" | |||
| Released | March 7, 1955 | |||
| Recorded | 1955 | |||
| Genre | Easy listening | |||
| Length | 2:53 | |||
| Label | Decca | |||
| Songwriter(s) | Alex North, Hy Zaret | |||
| Al Hibbler singles chronology | ||||
| ||||
| "Unchained Melody" | ||||
|---|---|---|---|---|
| Single by Roy Hamilton | ||||
| from the album You'll Never Walk Alone | ||||
| B-side | "From Here to Eternity" | |||
| Released | March 21, 1955 | |||
| Recorded | 1955 | |||
| Genre | Easy listening | |||
| Length | 2:57 | |||
| Label | Epic | |||
| Songwriter(s) | Alex North, Hy Zaret | |||
| Roy Hamilton singles chronology | ||||
| ||||
In 1954, Alex North was contracted to compose the score for the prison film Unchained (released in 1955). North had a melody he had written in the 1930s and composed and recorded the score when he was asked to write a song based upon the movie's theme.[10] North asked Hy Zaret to write the lyrics. After first refusing, Zaret and North together wrote "Unchained Melody."[11][12] Zaret refused the producer's request to include the word "unchained" in his lyrics.[13] The song eventually became known as the "Unchained Melody" even though the song does not actually include the word "unchained". Instead, Zaret chose to focus on someone who pines for a lover he has not seen in a "long, lonely time".[14] The film centered on a man who contemplates either escaping from prison to live life on the run or completing his sentence and returning to his wife and family.[14] The song has an unusual harmonic device as the bridge ends on the tonic chord rather than the more usual dominant chord.
Todd Duncan sang the vocals for the film soundtrack and performs an abbreviated version in the film. Playing one of the prisoners, he sings it, accompanied by another prisoner on guitar, while other prisoners listen sadly.[2] With Duncan singing the vocals,[2] the song was nominated in 1956 for 1955's Oscars, but the Best Song award went to the hit song "Love Is a Many-Splendored Thing".[14]
William Stirrat, an electrical engineer, claimed to have written the lyrics as a teenager in 1936 under the pen name "Hy Zaret" only to have North use the uncredited words in the 1955 original.[15][16] The case went to court and the dispute was resolved completely in favor of the real Zaret (the one born Hyman Zaritsky) who continued to receive all royalties.[13]
Early versions
Following the movie, there were several charting covers that were released in 1955. Bandleader Les Baxter released a choral version (Capitol Records catalog number 3055) which reached number 1 on the US charts and number 10 in the UK.[17] The words "unchain me" are sung repeatedly at the beginning and the lyrics are sung by a choir. Billboard ranked this version as the No. 5 song of 1955.[18] Al Hibbler followed close behind with a vocal version (Decca Records catalog number 29441),[19] that reached number 3 on the Billboard charts and number 2 in the UK chart listings. Jimmy Young's release (on Decca Records UK catalog number F10502) stayed at number 1 on the British charts for 3 weeks and remained on the UK charts for 19 weeks.[20] Young re-recorded the song in early 1964 and it hit number 43 in the UK. Two weeks after Young's version entered the top 10 of the British charts in June 1955, Liberace scored a number 20 hit (Philips PB 430). Roy Hamilton's version (Epic Records catalog number 9102) reached number 1 on the R&B Best Sellers list and number 6 on the pop chart.[21] June Valli recorded the song on March 15, 1955 (RCA Victor Records as catalog number 20-6078) with the flip side "Tomorrow",[22] and took it to number 29 on the Top Pop Records list.[23] Harry Belafonte recorded the song,[24] and sang his version at the 1956 Academy Awards after it was nominated for the Academy Award for Best Original Song of 1955.[25]
While the sheet music business was losing its prominence to sound recordings,[26] a sheet music release of the song peaked at number 1 on its tenth week on the Billboard Best Selling Sheet Music chart on the week ending June 18, 1955.[27] It stayed at its peak position for nine weeks[28] until it dropped to number 4 on its twentieth week on the week ending August 27.[29]
Charts
Les Baxter
Roy Hamilton
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Jimmy Young
Al Hibbler
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The Righteous Brothers versions
| "Unchained Melody" | ||||
|---|---|---|---|---|
 B-side label of the original US vinyl single "Hung on You" | ||||
| Single by the Righteous Brothers | ||||
| from the album Just Once in My Life | ||||
| A-side | "Hung on You" (original 1965 release) | |||
| B-side | "You're My Soul and Inspiration" (1990 European reissue) | |||
| Released |
| |||
| Recorded | March 2, 1965 | |||
| Studio | Radio Recorders (Hollywood) | |||
| Genre | Blue-eyed soul | |||
| Length | 3:36 | |||
| Label | ||||
| Composer(s) | Alex North | |||
| Lyricist(s) | Hy Zaret | |||
| Producer(s) |
| |||
| The Righteous Brothers singles chronology | ||||
| ||||
| Alternative release | ||||
 1990 UK vinyl re-release of the original 1965 recording | ||||
The best-known version of "Unchained Melody" was recorded by the duo the Righteous Brothers for Philles Records in 1965.[10] The lead vocal was performed solo by Bobby Hatfield, who later recorded other versions of the song credited solely to him. According to his singing partner Bill Medley, they had agreed to do one solo piece each per album. Both wanted to sing "Unchained Melody" for their fourth album, but Hatfield won the coin toss.[43]
"Unchained Melody" was originally released as the "B" side of the single "Hung On You" as the follow-up single to "Just Once in My Life".[10] However, "Hung On You" failed to interest radio DJs who instead chose to play the 'B' side "Unchained Melody". According to Medley, producer Phil Spector, who would deliberately place a throwaway song that was not meant to be played on the B side,[44] was so incensed by DJs choosing to play the B side that he started to call their radio stations to get them to stop playing "Unchained Melody".[45] However, he failed, and the song reached No. 4 on the Billboard Hot 100 chart and No. 14 in the UK in 1965. "Unchained Melody" is written in the key of C major.[46]
Recording
As Spector was not especially interested in producing b-sides or album tracks he left the production to Bill Medley,[47][10] who had produced the duo before they signed with Spector and Philles. He brought in a similar 'wall of sound' instrumental track.[48] Medley said: "Phil came to me and asked me to produce the Righteous Brothers albums because he would have taken too long and it would have cost too much money."[49] By Medley's account, Spector only claimed production credit after it supplanted "Hung On You" as the hit.[50] Early copies of the single did not credit a producer for "Unchained Melody" and only credited Spector as producer of the original single "Hung On You".[10] Later pressings of the single credited Spector as the producer, as do album liner notes in the Spector box set Back to Mono (1958–1969).[51]
Hatfield made a change to the song during the recording sessions. The first two takes of the song he performed it in the same style as Roy Hamilton.[10] For a third take, he decided to change the melody for the "I need your love" line in the final verse, and sang it much higher instead.[10] After this recording, Hatfield said he could do another take better, to which Medley replied: "No, you can't."[48] Medley played the Wurlitzer piano on the song and he noted that "if I knew that it was gonna be a hit I certainly would have brought in a better piano player."[45][50]
Re-recording and re-release
"Unchained Melody" reappeared on the US Billboard charts in 1990 after the Righteous Brothers' recording was used in the box office blockbuster film Ghost.[10] Two versions charted in the US that year – the original and a new recording. According to Medley, he was interested in having the original recording released due to the renewed interest in the song, but was told that there were licensing issues. Although Hatfield's voice was no longer as good as when he first recorded the song, they decided to re-record it for Curb Records.[52] The re-recorded version was released as both a cassette single[53] and a CD single.[54] It received minimal airplay but sold well, peaking at number 19. The re-recorded version was certified Platinum by the RIAA on January 10, 1991,[55] and received a Grammy Award nomination.[56]
The 1965 original Righteous Brothers recording was reissued in 1990 by oldies-reissue label Verve Forecast[57][43] under licensing from Polygram Records[58] (which had acquired the rights years earlier). The original version received a lot of airplay, and topped the U.S. adult contemporary chart for two weeks in 1990. However, sales for this version were minimal in the US since it was available as only a 45 RPM single and the song peaked at No. 13 based largely on airplay. For eight weeks, both versions were on the Billboard Hot 100 simultaneously and the Righteous Brothers became the first act to have two versions of the same song in the Top 20 at the same time.[59] This re-released song reached number 1 in the UK where it stayed for four weeks, becoming the UK's top selling single of 1990. As of 2017, it had sold 1.17 million copies in the UK.[60] The 1990 reissue also reached number 1 in Australia, Austria, Ireland, the Netherlands, and New Zealand.
Due to the success of their re-recording, the Righteous Brothers also re-recorded other songs and released them as part of a budget-priced CD compilation by Curb Records. For the original recordings, Polydor had licensed the CD rights to Rhino Records for a premium-priced 1989 compilation of Righteous Brothers hits from various labels;[61] later in 1990, it issued its own regular-priced Righteous Brothers greatest hits CD that included the recording.[62]
Reception
The Righteous Brothers' cover of "Unchained Melody" is now widely considered the definitive version of the song.[7][48] Hatfield's vocal in the original recording in particular is highly praised; it has been described as "powerful, full of romantic hunger, yet ethereal,"[7] and a "vocal tour de force", although his later re-recording was noted as "fudging only a bit on the highest notes".[63] The production of their original recording has been described as "epic", and that with "Hatfield's emotion-packed tenor soaring to stratospheric heights, it's a record designed to reduce anyone separated from the one they loved to a "pile of mush".[43]
Charts
Weekly charts
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Year-end charts
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