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The Kingsmen | |
|---|---|
 1963 "Louie Louie" line-up. L-R: Don Gallucci, Jack Ely, Lynn Easton, Mike Mitchell, Bob Nordby | |
| Background information | |
| Origin | Portland, Oregon, United States |
| Genres | |
| Years active | 1959–present |
| Labels | Jerden, Wand, Sundazed, Vogue Schallplatten |
| Spinoffs | Don and the Goodtimes, Jack Ely and the Courtmen, Touch |
| Members | Dick Peterson Kim Nicklaus Steve Peterson Todd McPherson Dennis Mitchell Marc Willett |
| Past members | Mike Mitchell Lynn Easton Jack Ely Bob Nordby Don Gallucci Gary Abbott Norm Sundholm Barry Curtis Kerry Magness J.C. Reick Turley Richards Pete Borg Jeff Beals Steve Friedson Yank Barry Fred Dennis Andy Parypa |
| Website | louielouie |
The Kingsmen are a 1960s American rock band from Portland, Oregon. They are best known for their 1963 recording of R&B singer Richard Berry's "Louie Louie", which held the No. 2 spot on the Billboard charts for six weeks and has become an enduring classic.
In total, the Kingsmen charted 13 singles from 1963 to 1968 and five consecutive albums from 1963 to 1966. Their first album, The Kingsmen in Person, remained on the Billboard Top LPs chart for 131 weeks from January 1964 to August 1966. Their early albums were released internationally in Canada, the UK, France, Germany, Mexico, South Africa, and Taiwan.
Early years
Lynn Easton and Jack Ely started performing at an early age in local newspaper-sponsored revues with the Journal Juniors and the Young Oregonians, respectively.[2] In 1957, they started performing together, with Ely singing and playing guitar and Easton on the drum kit. The two teenagers had grown up together, as their parents were close friends.[3] Easton and Ely performed at local parties and events, and soon added Mike Mitchell on guitar and Bob Nordby on bass to round out the band.[4] They called themselves the Kingsmen, taking the name from a recently disbanded group.[5] The Kingsmen began their collective career playing at fashion shows, Red Cross events, and supermarket promotions, generally avoiding rock songs on their setlist.[6] In 1962, Don Gallucci, a high school freshman at the time, was recruited from another local group, the Royal Notes, to play keyboards.[7]
"Louie Louie"
In 1962, while playing a gig at the Pypo Club in Seaside, Oregon, the band noticed Rockin' Robin Roberts's version of "Louie Louie" being played on the jukebox for hours on end with the entire club dancing.[8] Ely convinced the Kingsmen to learn the song, which they played at dances to a great crowd response.[9] Unknown to him, he changed the beat because he misheard it on a jukebox.[10] Ken Chase, host of radio station KISN, formed his own club to capitalize on these dance crazes.[11] Dubbed "The Chase", the Kingsmen became the club's house band and he became the band's manager. On April 5, 1963, Chase booked the band an hour-long session at the local Northwestern Inc. studio for the following day to record a demo tape for a summer cruise ship gig.[12] Adding to the hurried atmosphere, the band had just played a 90-minute "Louie Louie" marathon the night before.[13]
Despite the band's annoyance at having so little time to prepare, on April 6 at 10 am the Kingsmen walked into the three-microphone recording studio. "Jamaica Farewell", one partial and one full take of "Louie Louie", and "Haunted Castle" were recorded.[14] For "Louie Louie", the only vocal number, Ely was forced to lean back and sing to a microphone suspended from the ceiling. "It was more yelling than singing", Ely said, "'cause I was trying to be heard over all the instruments."[12] In addition, he was wearing braces at the time of the performance, further compounding his infamously slurred words.[15] Ely sang the beginning of the third verse two bars too early but realized his mistake and waited for the rest of the band to catch up. The Kingsmen were not proud of the recording and wanted to fix their mistakes, but Chase liked the energy and rawness[16] and assured them that the demo version could be redone before a record was released.[17] The one hour session cost either $36,[18] $50,[16] or somewhere in between [19] and the band split the cost.
With a competing "Louie Louie" version from Paul Revere and the Raiders getting heavy play on a competing station, Chase began playing the Kingsmen's demo version on his show at KISN. He then contracted with Jerry Dennon's Jerden Records to press a single.[20] The B-side was "Haunted Castle", composed by Ely and Don Gallucci, the new keyboardist; however, Lynn Easton was credited on both the Jerden and Wand releases.[21]
"Louie Louie" reached No. 1 on the Cashbox and Music Vendor charts and No. 2 on the Billboard Hot 100 chart. Additionally it reached No. 1 on the CHUM Canada chart and in the UK it reached No. 26 on the Record Retailer chart. It sold over one million copies, and was awarded a gold disc.[22]
The band attracted nationwide attention when "Louie Louie" was banned by the governor of Indiana, Matthew E. Welsh, also attracting the attention of the FBI because of alleged indecent lyrics in their version of the song. The lyrics were, in fact, innocent, but Ely's baffling enunciation permitted teenage fans and concerned parents alike to imagine the most scandalous obscenities. (Ironically, the FBI totally missed Lynn Easton yelling "Fuck!" at 0:54 after fumbling a drum fill.) All of this attention only made the song more popular. In April 1966 "Louie Louie" was reissued and once again hit the music charts, reaching No. 65 on the Cashbox chart and No. 97 on the Billboard Hot 100 chart.
In 1985, Ross Shafer, host and a writer-performer of the late-night comedy series Almost Live! on the Seattle TV station KING, spearheaded an effort to have "Louie Louie" replace "Washington, My Home" by Helen Davis as Washington's official state song.[23] Picking up on this initially prankish effort, Whatcom County Councilman Craig Cole introduced Resolution No. 85–12 in the state legislature, citing the need for a "contemporary theme song that can be used to engender a sense of pride and community, and in the enhancement of tourism and economic development". His resolution also called for the creation of a new "Louie Louie County". While the House did not pass it, the Senate's Resolution 1985-37 declared April 12, 1985, "Louie Louie Day". A crowd of 4,000, estimated by press reports, convened at the state capitol that day for speeches, singalongs, and performances by the Wailers, the Kingsmen, and Paul Revere and the Raiders. Two days later, a Seattle event commemorated the occasion with the premiere performance of a new, Washington-centric version of the song written by composer Berry.[24]
Other Kingsmen "Louie Louie" versions with either Lynn Easton or Dick Peterson as lead vocalist appeared on Live & Unreleased (recorded 1963, released 1992), Live at the Castle (recorded 1964, released 2011), Shindig! Presents Frat Party (VHS, recorded 1965, released 1991), 60s Dance Party (1982), California Cooler Presents Cooler Hits (recorded 1986, released 1987),[25] The Louie Louie Collection (as the Mystery Band, 1994), Red, White & Rock (2002), Garage Sale (recorded 2002, released 2003), and My Music: '60s Pop, Rock & Soul (DVD, 2011).[26] Peterson also released a solo version on the 1999 Circle of Friends, Volume 1 CD.[27]
Over the years the Kingsmen's version of "Louie Louie" has been recognized by organizations and publications worldwide for its influence on the history of rock and roll. Rankings and recognition in major publications and surveys are shown in the table below.
| Source | Poll/Survey | Year | Rank |
| Rock & Roll Hall of Fame | Hall of Fame Singles | 2018 | None[28] |
| Rock & Roll Hall of Fame | Songs That Shaped Rock and Roll | 1995 | None[29] |
| National Academy of Recording Arts and Sciences | Grammy Hall of Fame | 1999 | None[30] |
| National Public Radio | The 300 Most Important American Records of the 20th Century | 1999 | None[31] |
| Smash Hits, James E. Perone | The 100 Songs That Defined America | 2016 | None[32] |
| The Wire | The 100 Most Important Records Ever Made | 1992 | None[33] |
| Mojo | Ultimate Jukebox: The 100 Singles You Must Own | 2003 | #1[34] |
| The Ultimate Playlist, Robert Webb | The 100 Greatest Cover Versions | 2012 | #1[35] |
| Paste | The 50 Best Garage Rock Songs of All Time | 2014 | #3[36] |
| Rolling Stone | 40 Songs That Changed The World | 2007 | #5[37] |
| All Time Top 1000 Albums, Colin Larkin | The All-Time Top 100 Singles | 2000 | #6[38] |
| VH1 | 100 Greatest Songs of Rock and Roll | 2000 | #11[39] |
| The Heart of Rock and Soul, Dave Marsh | The 1001 Greatest Singles Ever Made | 1989 | #11[40] |
| Rolling Stone | The 100 Best Singles of the Last 25 Years | 1989 | #18[41] |
| Los Angeles | LA's Top 100 | 2001 | #19[42] |
| Rock and Roll, Paul Williams | The 100 Best Singles | 1993 | #22[43] |
| VH1 | 100 Greatest Dance Songs | 2000 | #27[44] |
| Mojo | 100 Greatest Singles of All Time | 1997 | #51[45] |
| Rolling Stone | The 500 Greatest Songs of All Time | 2010 | #54[46] |
| Rolling Stone | The 500 Greatest Songs of All Time | 2004 | #55[47] |
| NEA and RIAA | Songs of the Century | 1999 | #57[48] |
| Mojo | Big Bangs: 100 Records That Changed The World | 2007 | # 70[49] |
| Pitchfork | The 200 Best Songs of the 1960s | 2006 | #154[50] |
| Rolling Stone | The 500 Greatest Songs of All Time | 2021 | #156[51] |
| NME | The 500 Greatest Songs of All Time | 2014 | #157[52] |
| WCBS-FM | Top 1001 Songs of the Century | 2005 | #184[53] |
Kingsmen history
Before the success of "Louie Louie", the members of the Kingsmen took varied paths. Easton, whose mother had registered the name of the group and therefore owned it, declared that from this point on he intended to be the singer asserting, "It's my band because I own the name", and forcing Ely to play the drums.[4] This led Ely and Nordby to quit the group in 1963, and Gary Abbott and Norm Sundholm were added to play drums and bass, respectively.[54] (The liner notes for the first album, The Kingsmen In Person, presented an abridged history with no mention of Ely or Nordby and with Easton as the group’s sole founder and creative force.)[55]
Don Gallucci was forced out because he wasn't old enough to tour and later formed Don and the Goodtimes, which morphed into the short-lived Touch.[56] Later, Gallucci became a record producer with Elektra Records, with his most famous production being the Stooges' seminal second album Fun House.
The two remaining original Kingsmen, Lynn Easton and Mike Mitchell, were joined by Gary Abbott, Barry Curtis and Norm Sundholm to record their first album and tour as the official band. Dick Peterson (not Dickie Peterson) replaced Gary Abbott shortly thereafter. This line-up stayed intact from 1964 into 1966 and charted multiple singles and albums with Easton as the principal vocalist.
After Ely's departure and considerable chart success by the new line-up, the group learned that he was performing with another group as The Kingsmen.[57][58] Following legal action, a settlement was reached and Easton, Mitchell, Peterson, Curtis and Sundholm established their rights to the "Kingsmen" name. Thus, Ely was forced to stop using the name, Easton could no longer lip sync to Ely's vocals, and subsequent releases of "Louie Louie" were required to have the text "Lead vocal by Jack Ely" below the title.[4] Unable to perform using the Kingsmen name, Ely continued with his groups the Squires and the Courtmen. He also received a gold record for "Louie Louie" as part of the settlement.[59][60][61]
The Kingsmen's 1964 follow up to "Louie Louie" was a party version of "Money (That's What I Want)" which hit the Billboard Hot 100 at No. 16 and on Cashbox at No. 17. Then came "Little Latin Lupe Lu" peaking on Billboard at No. 46 and Cashbox at No. 49. After that it was "Death of An Angel" No. 33 on Cashbox and No. 42 on Billboard.
After starting 1965 with their own float in the Rose Bowl Parade,[62] the Kingsmen returned to the Top 10 nationally with "The Jolly Green Giant" reaching No. 4 on Billboard and No. 8 on Cashbox. The novelty number also made No. 25 on the Billboard R&B chart and hit No. 1 on the RPM Canada chart.[64] The follow-up song was "The Climb", No. 45 on Cashbox and No. 65 on Billboard. "Annie Fanny" was released next reaching No. 43 on Cashbox and No. 47 on Billboard. Next came "(You Got) The Gamma Goochee", No. 98 on Cashbox and No. 122 on Billboard. The group also appeared in the beach party movie How to Stuff a Wild Bikini singing "Give Her Lovin'" (released as a B-side to "Annie Fanny") which appeared on the soundtrack album along with their recording of the title song.
In 1966 the Kingsmen continued to hit the charts with "Killer Joe" reaching No. 77 on Billboard and No. 81 on Cashbox. Their original recording of "Louie Louie" was re-released as "Louie Louie 64-65-66" and re-entered the Billboard, Cash Box, and Record World charts. They also released a promotional item, a "picture-sleeve-clad potato-chip ad jingle 45" titled "The Krunch", their only picture sleeve single, which did not chart.[65]
1966 also saw two Kingsmen departures: Barry Curtis was drafted and Norm Sundholm opted to work full time for Sunn amplifiers, a business he had started in 1964 with his brother. Replacements were J.C. Rieck on keyboards (until Curtis's return) and Kerry Magness on bass, with Magness soon giving way to Pete Borg and then Jeff Beals.
In 1967 they made the charts for the last time with "Bo Diddley Bach" reaching No. 128 on Billboard, and in July founding member Lynn Easton left the group.[66] He worked for an advertising firm and hosted this is IT, a "bandstand-type" show for Portland television station KGW.[67] Singer Turley Richards was brought in as Easton's replacement, but he departed later that same year.[68]
In 1968 with the original group on a recording and touring hiatus, the Kingsmen's management team worked with the Kasenetz-Katz production organization and studio musicians to release a single on the Earth label ("Feed Me"/"Just A 'B' Side").[69] A separate lineup was formed with new members (including lead singer Yank Barry) to tour for a time during 1968–1969 on the East Coast of the United States while the main lineup of the band was inactive.[70][71][72]
In 1973 the reactivated group signed with Capitol and released one single which did not chart.[73][74]
In addition to Jack Ely's groups and re-recordings, several of the Kingsmen pursued other solo projects. Dick Peterson and Barry Curtis as the Other Two released two singles in 1966,[75] and Lynn Easton re-recorded "The Jolly Green Giant" in 1976.[76] Peterson as Dick St. Nicklaus released two albums, Magic (1979) and Sweet and Dandy (1980), and multiple singles.[77] In 2002, Barry Curtis and Steve Peterson joined the revived line-up of The Daily Flash.
In 1983, the group successfully sued K-tel over the release of the 1982 60's Dance Party album because it featured a 1976 Jack Ely re-recording of "Louie Louie" billed as by "The Kingsmen" and displayed the text "These selections are rerecordings by the original artists" on the back cover.[78][76] K-tel had also similarly marketed the Lynn Easton re-recording of "The Jolly Green Giant".
Also in 1983, a music video, The Kingsmen – Live at Delta House, aired on MTV.[79] Directed by David Jester, the video recreated the raucous, toga party atmosphere popularized in National Lampoon's Animal House using the "Delta House" on the University of Oregon campus.[80] Bassist Fred Dennis was featured as the lead vocalist.
In 1993, members of the group brought legal action against Gusto Records to have all of their original recordings returned.[81] Gusto had acquired the Kingsmen song rights from Springboard International Records, Inc., who had purchased the entire Scepter-Wand catalog in 1977 after Florence Greenberg's retirement, but the group had not been paid royalties since 1968. In 1998, the Kingsmen were awarded ownership of all their early recordings, including "Louie Louie".[82][83]
When Jack Ely died on April 28, 2015, obituaries were published by the Associated Press, Time, Washington Post, New York Times, The Times, and others.[84] Critic Dave Marsh said that Ely's vocal made the Kingsmen's "Louie Louie" "...the classic that it is."[85] Lynn Easton died on April 24, 2020.[86]
Mike Mitchell died on April 16, 2021, on his 77th birthday. At the time of his death, he was the only remaining member of the Kingsmen's original lineup who still performed with the band.[87] His "Louie Louie" guitar break has been called "iconic",[88] "blistering",[89] and "one of the most famous guitar solos of all time".[90] Guitar Player magazine noted, "Raw, lightning-fast, and loud, the solo's unbridled energy helped make the song a No. 2 pop hit, but also helped set the template for garage-rock – and later hard-rock – guitar."[91]
Bob Nordby and Don Gallucci are now the last surviving members of the "Louie Louie" line-up.
Members
Current
- Dick Peterson – drums, vocals (1963–present)
- Steve Peterson – guitar, vocals (1988–present)
- Kim Nicklaus – keyboards (1982–1984, 2000–present)
- Todd McPherson – bass, guitar, vocals (1992–present)
- Dennis Mitchell – guitar, vocals (2006–present)
- Marc Willett – bass (1984–1992), (2021–present)
Former
- Mike Mitchell – vocals, guitar (1959–2021; died 2021)[92]
- Lynn Easton – vocals, drums, saxophone (1959–1967; died 2020)[7]
- Jack Ely – vocals, guitar (1959–1963; died 2015)[93]
- Bob Nordby – bass (1959–1963)
- Don Gallucci – keyboards (1962–1963)
- Gary Abbott – drums (1963; died 2015)[94]
- Norm Sundholm – bass (1963–1967)
- Barry Curtis – keyboards, guitar (1963–2005)
- Kerry Magness – bass (1966–1967; died 2004)[95]
- J.C. Rieck – keyboards, vocals (1966–1967; died 2019)[96]
- Turley Richards – vocals, guitar (1967)
- Pete Borg – bass (1967; died 2010)[97]
- Jeff Beals – bass (1967–1968; died 2016)
- Steve Friedson – keyboards (1967–1973)
- Yank Barry – vocals (1968–1969)[98][72]
- Fred Dennis – bass (1972–1984)
- Andy Parypa – bass (1982–1984)
Timeline
Discography
U.S. albums and singles, plus major compilation releases and appearances on 1960s various artist compilations.
Studio albums
Listed in chronological order with peak chart positions (Billboard/Cashbox) noted.
- The Kingsmen in Person (Wand WDM/WDS-657) 1963 (#20/#16) [a]
- The Kingsmen Volume II (Wand WDM/WDS-659) 1964 (#15/#20) [b]
- The Kingsmen Volume 3 (Wand WDM/WDS-662) 1965 (#22/#10) [b]
- The Kingsmen on Campus (Wand WDM/WDS-670) 1965 (#68/#53) [b]
- 15 Great Hits (Wand WDM/WDS-674) 1966 (#87/–) [c]
- Up and Away (Wand WDM/WDS-675) 1966 [d]
Live albums
Releases of earlier material
- Louie Louie – Live & Unreleased (Jerden 7004) recorded 1963, released 1992 [f][99]
- Since We've Been Gone (Sundazed 6027) recorded 1967, released 1994 [99]
- Live At The Castle (digital only) recorded 1964, released 2011 [g][100]
Compilation albums
- The Kingsmen Greatest Hits (Wand WDM/WDS-681) 1967
- The Best of the Kingsmen (Scepter/Citation Series CTN-18002) 1972
- A Quarter to Three (Picc-A-Dilly PIC-3329) 1980 [h][99]
- Ya Ya (Picc-A-Dilly PIC-3330) 1980 [i][99]
- House Party (Picc-A-Dilly PIC-3346) 1980 [j][99]
- The Kingsmen Greatest Hits (Picc-A-Dilly PIC-3348) 1981 [k][99]
- The Best of the Kingsmen (Rhino RNLP 126) 1985
- Rock & Roll – Kingsmen (Starday N5-2125) 1985
- Louie Louie – The Kingsmen (Prime Cuts 1322) 1986
- The Kingsmen – 12 Greatest (Golden Circle CS 57582) 198?
- The Kingsmen – Louie, Louie (Golden Circle GC57881) 1987
- The Jolly Green Giant (Richmond 2125) 1988
- The Kingsmen – Louie Louie (Highland Music/Richmond 2138) 1988
- The Best of the Kingsmen (Rhino 70745) 1989
- The Kingsmen – Louie Louie and More Golden Classics (Collectables 5073) 1991
- The Kingsmen – 20 Greats (Highland Music/Festival FST FCD 4417) 1991
- The World of the Kingsmen/Louie Louie (Trace 0400612) 1992
- Louie Louie 1994
- The Best of the Kingsmen (Laserlight/Delta 124 24) 1995
- The Very Best of the Kingsmen (Varèse Sarabande/Varèse Vintage 5905) 1998
- The Kingsmen's Greatest Hits (K-tel K4185-2) 1998
- Louie Louie: The Very Best of the Kingsmen (Collectables 5628) 1999
- The Kingsmen – America's Premier 60s Garage Band (Edel America 70172) 2000
- The Kingsmen – Gold (N'Dagroove Records NDA5331) 2012
- The Kingsmen – Louie Louie and Other Great Hits (digital only) 2021[l]
EPs
International releases in Brazil, France, Spain, and U.K.[m]
Singles
| Year | Song Titles | Peak chart positions | Label | Album | ||||||
|---|---|---|---|---|---|---|---|---|---|---|
| Billboard Hot 100 [101] | Cashbox Top 100 [102] | Billboard R&B [103] | Cashbox R&B 50 [104] | Record World[102][n] | Canada [o] | U.K.[105] | ||||
| 1963 | "Louie Louie" (Berry) b/w "Haunted Castle" (Easton)[p] |
2 [q] | 1 | — [r] | 1 | 1 | 1 | 23 | Jerden 712 Wand 143 [s] |
In Person [t][u] — [v] |
| 1964 | "Money" (Gordy-Bradford) b/w "Bent Scepter" (Gallucci) |
16 | 17 | — [r] | 6 | 24 | 24 | — | Wand 150 | In Person [w][x] In Person [t] |
| "Little Latin Lupe Lu" (Medley) b/w "David's Mood" (Lewis) |
46 | 49 | — [r] | — | 66 | — | — | Wand 157 | Volume II [x] Volume II [t] | |
| "Death of an Angel" (Woods) b/w "Searchin' for Love" (Gust) |
42 | 33 | — [r] | 29 | 42 | 36 | — | Wand 164 | Volume II Volume 3 | |
| "The Jolly Green Giant" (Easton, Harris, Terry) b/w "Long Green" (Easton) |
4 | 8 | 25 | — | 6 | 1 [108] | — | Wand 172 | Volume 3 Volume II / Volume 3 [y] | |
| 1965 | "The Climb" (Easton) b/w "The Waiting" (Gallucci-Easton) |
65 | 45 | — | — | 39 | — | — | Wand 183 | On Campus In Person [t] |
| "Annie Fanny" (Easton) b/w "Give Her Lovin'" (Easton) |
47 | 43 | — | — | 29 | 13 | — | Wand 189 | On Campus — [z] | |
| "(You Got) The Gamma Goochee" (Mangiagli) b/w "It's Only The Dog" (Wayne) |
122 | 98 | — | — | 95 | — | — | Wand 1107 | — [v] — [aa] | |
| 1966 | "Killer Joe" (Russell-Elgin-Medley) b/w "Little Green Thing" (Lewis) |
77 | 81 | — | — | 66 | — | — | Wand 1115 | 15 Great Hits [ab] On Campus |
| "The Krunch" [ac] (Easton) b/w "The Climb" (Easton) |
— [ad] | — [ad] | — | — | — | — | — | Wand 1118 [ae] | — [v] On Campus | |
| "Little Sally Tease" (Valley) b/w "My Wife Can't Cook" (Russ) |
— [af] | — [ag] | — | — | — [ah] | — | — | Wand 1127 | Up and Away — [ai] | |
| "If I Needed Someone" [aj] (Harrison) b/w "Grass Is Green" (Peterson-Mitchell) |
— [ak] | 128 | — | — | 136 | — | — | Wand 1137 | Up and Away Up and Away | |
| "Louie 64-65-66" (Berry) b/w "Haunted Castle" (Easton) |
97 | 65 | — | 30 | 76 | — | — | Wand 143 [al] | In Person — [v] | |
| 1967 | "Trouble" (Resnick-Levine) b/w "Daytime Shadows" (Easton-Tannen-Wildey) |
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