Symphony No. 17 (Mozart)

1. 00′ 00″ Allegro
2. 04′ 50″ Andante
3. 10′ 10″ Allegro
Performed by the Tsumugi Orchestra conducted by Takashi Inoue (2013)

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Symphony No. 17 in G major, K. 129, is the second of three symphonies completed by Wolfgang Amadeus Mozart in May 1772, when he was 16 years old, but some of its sections may have been written earlier.^[1]

Structure

Mozart wrote the symphony in three movements and is scored for two oboes, two horns, and strings.

$\relative c' { \override Score.NonMusicalPaperColumn #'line-break-permission = ##f \tempo "Allegro" \key g \major <g d' b' g'>2.\f b'8.\trill( a32 b) | c4 b16( c8.) d16( c8.) b16( c8.) | cis16( d8.) d4 r d8.\trill( c32 d) | e8 r c' r fis, r a r | }$

Allegro, ⁴
₄
Andante, ²
₄ C major
Allegro, ³
₈

The first movement is notable for its use of the Mannheim crescendo, while the second movement features a solo violin.

References

^ Mozart, Wolfgang Amadeus (2005). Die Sinfonien III. Translated by Robinson, J. Branford. Kassel: Bärenreiter-Verlag. p. X. ISMN M-006-20466-3

External links

Symphony in G K. 129: Score and critical report (in German) in the Neue Mozart-Ausgabe
Symphony No. 17: Scores at the International Music Score Library Project

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[autogenerated1-1] Mozart, Wolfgang Amadeus (2005). Die Sinfonien III. Translated by Robinson, J. Branford. Kassel: Bärenreiter-Verlag. p. X. ISMN M-006-20466-3

[1]

v t e Symphonies by Wolfgang Amadeus Mozart
Unnumbered	K. 16a (Odense)^d K. 19a K. 45a (Old Lambach) K. 76^a K. 45b^a K. 74g^a K. 81^a K. 95^a K. 97^a K. 75^a K. 98^d K. 111+120 K. 96^a K. 161 K. 135+61h^a K. 196+121 K. 208+102
Numbered	No. 1 (K. 16) No. 2 (K. 17)^b No. 3 (K. 18)^c No. 4 (K. 19) No. 5 (K. 22) No. 6 (K. 43) No. 7 (K. 45) No. 8 (K. 48) No. 9 (K. 73) No. 10 (K. 74) No. 11 (K. 84)^a No. 12 (K. 110) No. 13 (K. 112) No. 14 (K. 114) No. 15 (K. 124) No. 16 (K. 128) No. 17 (K. 129) No. 18 (K. 130) No. 19 (K. 132) No. 20 (K. 133) No. 21 (K. 134) No. 22 (K. 162) No. 23 (K. 181) No. 24 (K. 182) No. 25 (K. 183) No. 26 (K. 184) No. 27 (K. 199) No. 28 (K. 200) No. 29 (K. 201) No. 30 (K. 202) No. 31 (K. 297) (Paris) No. 32 (K. 318) No. 33 (K. 319) No. 34 (K. 338) No. 35 (K. 385) (Haffner) No. 36 (K. 425) (Linz) No. 37 (K. 444)^e No. 38 (K. 504) (Prague) No. 39 (K. 543) No. 40 (K. 550) No. 41 (K. 551) (Jupiter)
Adapted from serenades	K. 204 K. 250 K. 320
Lost	K. 19b K. 66c K. 66d K. 66e K. Anh.C 11.07 K. Anh.C 11.08
^a Symphonies of doubtful authenticity. ^b No. 2 now attributed to Leopold Mozart. ^c No. 3 now attributed to Carl Friedrich Abel (although Mozart changed the instrumentation). ^d Symphonies generally agreed to be spurious today, but included in either the old or new complete editions. ^e No. 37 now attributed to Michael Haydn, except for the slow introduction which Mozart added. List of symphonies by Wolfgang Amadeus Mozart List of spurious/doubtful Mozart symphonies

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