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National Film Award for Best Male Playback Singer
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| National Film Award for Best Male Playback Singer | |
|---|---|
| National Award for contributions to Indian Cinema | |
| Awarded for | Best Male Playback Singer for feature film for a year |
| Sponsored by | Directorate of Film Festivals |
| Formerly called | Best Playback Singer of the Year (1967) |
| Reward(s) |
|
| First awarded | 1967 |
| Last awarded | 2021 |
| Most recent winner | Kaala Bhairava |
| Highlights | |
| Most awards | K. J. Yesudas (8) |
| Total awarded | 53 |
| First winner | Mahendra Kapoor |
| Website | https://dff.gov.in/Archive.aspx?ID=6  |
The following is a list of winners of the National Film Award (Silver Lotus Award) for best male Playback singer. The award was first granted to Mahendra Kapoor in 1967. The singers whose performances have won awards have worked in nine major languages: Hindi (19 awards), Malayalam (9 awards), Bengali (7 awards), Telugu (5 awards), Tamil, Marathi and Kannada (4 each), and Punjabi (1 award).
The singer with the most awards in this category is K. J. Yesudas with eight wins for three languages (Malayalam, Telugu and Hindi), followed by S. P. Balasubrahmanyam who won six times for four languages;Telugu, Hindi, Kannada and Tamil. Udit Narayan and Shankar Mahadevan follow next, winning three awards each. The singers Manna Dey, Hemanta Kumar Mukhopadhyay, M. G. Sreekumar, Hariharan have bagged this award twice.
Recipients
| List of award recipients, showing the year (award ceremony), song(s), film(s), language(s) and citation | |||||||
|---|---|---|---|---|---|---|---|
| Year | Image | Recipient(s) | Song(s) | Film(s) | Language(s) | Citation | Refs. |
| 1967 (15th) |
– | Mahendra Kapoor | "Mere Desh Ki Dharti" | Upkar | Hindi | – | [1] |
| 1968 (16th) |
|
Manna Dey | "Jhanak Jhanak Tori Baaje Paayaliya" | Mere Huzoor | Hindi | – | [2] |
| 1969 (17th) |
|
Sachin Dev Burman | "Safal Hogi Teri Aradhana" | Aradhana | Hindi | – | [3] |
| 1970 (18th) |
|
Manna Dey | – | • Mera Naam Joker • Nishi Padma |
• Hindi • Bengali |
– | [4] |
| 1971 (19th) |
|
Hemant Kumar | – | Nimantran | Bengali | – | [5] |
| 1972 (20th) |
|
K. J. Yesudas | "Manushyan Mathangale" | Achanum Bappayum | Malayalam | – | [6] |
| 1973 (21st) |
|
K. J. Yesudas | "Padmatheerthame Unaroo" | Gayathri | Malayalam | – | [7] |
| 1974 (22nd) |
|
Mukesh | "Kahi Baar Yoon Bhi Dekha Hai" | Rajnigandha | Hindi | – | [8] |
| 1975 (23rd) |
|
M. Balamuralikrishna | – | Hamsageethe | Kannada | – | [9] |
| 1976 (24th) |
|
K. J. Yesudas | "Gori Tera Gaon Bada Pyara" | Chitchor | Hindi | – | [10] |
| 1977 (25th) |
|
Mohammed Rafi | "Kya Hua Tera Wada" | Hum Kisise Kum Naheen | Hindi |
For a golden voice, with resonant timbre and charm, highly cultivated to convey the nuances of melodies based on classical and light classical ragas with as much ease and felicity as tunes set to the lilt of light music; for the sheer brilliance of form and content in his powerful interpretations; for a distinctive personal style. |
[11] |
| 1978 (26th) |
|
Shimoga Subbanna | "Kaadu Kudure Odi Banditta" | Kaadu Kudure | Kannada |
For rendering the theme song "Kaadu Kudure" in a style which is atonce vigorous and lyrical. |
[12] |
| 1979 (27th) |
|
S. P. Balasubrahmanyam | "Omkara Naadaanusandhanamou" | Sankarabharanam | Telugu | – | [13] |
| 1980 (28th) |
– | Anup Ghoshal | "Aaha Ke Anondo" | Hirak Rajar Deshe | Bengali |
For a wonderful range of voice and the sense of rhythm imparted to the songs rendered, by him. |
[14] |
| 1981 (29th) |
|
S. P. Balasubrahmanyam | "Tere Mere Beech Mein" | Ek Duuje Ke Liye | Hindi |
For great feeling and sense of rhythm which he brings to his vocal rendering. |
[15] |
| 1982 (30th) |
|
K. J. Yesudas | "Akasha Desana" | Meghasandesam | Telugu |
For his rich contribution to the musical element of the film. |
[16] |
| 1983 (31st) |
|
S. P. Balasubrahmanyam | "Vedam Anuvanuvuna Naadam" | Saagara Sangamam | Telugu |
For his resonant and technically rich rendering of musical forms to enhance dramatic impact. |
[17] |
| 1984 (32nd) |
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|
Bhimsen Joshi | "Thumak Thumak Pag" | Ankahee | Hindi | – | [18] |
| 1985 (33rd) |
|
Jayachandran | "Sivasankara Sarva Saranya Vibho" | Sree Narayana Guru | Malayalam |
For his superb rendering of devotional songs keeping in tune with the subject matter of the film. |
[19] |
| 1986 (34th) |
|
Hemant Kumar | – | Lalan Fakir | Bengali |
For his superb rendering of the traditional songs in his deep and vibrant voice. |
[20] |
| 1987 (35th) |
|
K. J. Yesudas | "Unnikale Oru Kadha Parayam" | Unnikale Oru Kadha Parayam | Malayalam |
For the vivacity and mellifluous rendering of the theme song, giving full and meaningful expression to the lyric. |
[21] |
| 1988 (36th) |
|
S. P. Balasubrahmanyam | "Cheppaalani Undi" | Rudraveena | Telugu |
For bringing playback singing a rare depth of emotion adorned by his command of classical idiom. |
[22] |
| 1989 (37th) |
|
Ajoy Chakrabarty | – | Chhandaneer | Bengali |
For bringing the rare depth of emotion, adomed by his command on the classical idiom. |
[23] |
| 1990 (38th) |
.jpg)
|
M. G. Sreekumar | "Nadharoopini Shankari Pahimam" | His Highness Abdullah | Malayalam |
For an excellent rendering of a classical-based tune encompassing all ranges accurately. |
[24] |
| 1991 (39th) |
|
K. J. Yesudas | "Ramakadha Gaanalayam" | Bharatham | Malayalam |
For the mellifluous and masterful rendering of songs in the classical style. |
[25] |
| 1992 (40th) |
|
Rajkumar | "Naadamaya Ee Lokavella" | Jeevana Chaitra | Kannada |
For his extraordinary rendering of a raga celebrating the all pervasive power of music. |
[26] |
| 1993 (41st) |
|
K. J. Yesudas | "Ksheera Saagara" | Sopanam | Malayalam |
For his superb capacity to render a variety of moods by means of a rich and melodious voice, which is capable of delineating both the range and depth of human emotions. |
[27] |
| 1994 (42nd) |
|
P. Unni Krishnan | • "Ennavale" • "Uyirum Neeye" |
• Kadhalan • Pavithra |
Tamil |
For his range and masterly rendition of the songs of two Tamil films, demonstrating a rare professionalism and command over technique. |
[28] |
| 1995 (43rd) |
|
S. P. Balasubrahmanyam | "Umandu Ghumandu Ghana Garaje Badara" | Sangeetha Sagara Ganayogi Panchakshara Gavai | Kannada |
For his soulful rendering of the classical song. |
[29] |
| 1996 (44th) |
|
S. P. Balasubrahmanyam | "Thanga Thamarai" | Minsara Kanavu | Tamil |
For his brilliant rendering of the song. |
[30] |
| 1997 (45th) |
|
Hariharan | "Mere Dushman Mere Bhai" | Border | Hindi |
For his melodious rendering of the heartwarming song. |
[31] |
| 1998 (46th) |
|
Sanjeev Abhyankar | "Suno Re Bhaila" | Godmother | Hindi |
For the song in which he successfully blends folk, bhajan and popular music to communicate the lyrics effectively. |
[32] |
| 1999 (47th) |
|
M. G. Sreekumar | "Chanthu Pottum" | Vasanthiyum Lakshmiyum Pinne Njaanum | Malayalam |
For a heartwarming rendition of the song. |
[33] |
| 2000 (48th) |
|
Shankar Mahadevan | "Yenna Solla Pogirai" | Kandukondain Kandukondain | Tamil |
For the soulful rendering of the song. |
[34] |
| 2001 (49th) |
|
Udit Narayan | • "Mitwa" • "Jaane Kyon" |
• Lagaan • Dil Chahta Hai |
Hindi | [35] | |
| 2002 (50th) |
|
Udit Narayan | "Chhote Chhote Sapne" | Zindagi Khoobsoorat Hai | Hindi |
For his melodious rendering of the title song. |
[36] |
| 2003 (51st) |
|
Sonu Nigam | "Kal Ho Naa Ho" | Kal Ho Naa Ho | Hindi |
For his memorable rendition of the title song that captures the spirit of the film. |
[37] |
| 2004 (52nd) |
|
Udit Narayan | "Yeh Taara Woh Taara" | Swades | Hindi |
For the song to honour his soulful rendition of this beautiful Rahman melody with imaging modulation. |
[38] |
| 2005 (53rd) |
|
Naresh Iyer | "Roobaroo" | Rang De Basanti | Hindi |
For his melodious rendering of a lilting song that adds exuberance to the film. |
[39] |
| 2006 (54th) |
|
Gurdas Maan | "Couplets of Heer" | Waris Shah: Ishq Daa Waaris | Punjabi |
For building the entire narrative through his singing of Heer. |
[40] |
| 2007 (55th) |
|
Shankar Mahadevan | "Maa"[41] | Taare Zameen Par | Hindi |
For the plaintive rendition of a soulful song which is a musical expression of a theme which touches the heart. |
[42] |
| 2008 (56th) |
|
Hariharan | "Jeev Dangla Gungla Rangla Asa" | Jogwa | Marathi |
For his soulful rendition reflecting the agony of unfulfilled emotions. |
[43] |
| 2009 (57th) |
|
Rupam Islam | "Ei To Ami"[44] | Mahanagar@Kolkata | Bengali |
For the deeply felt emotional resonance and a haunting lilt that evokes the thematic ambience of the film. |
[45] |
| 2010 (58th) |
|
Suresh Wadkar | "Hey Bhaskara Kshitijavari Ya" | Mee Sindhutai Sapkal | Marathi |
For rendering soulful lyrics in a resonant voice soaked in emotion with a purity of musical expression and spiritual empathy. |
[46] |
| 2011 (59th) |
|
Anand Bhate | "Chinmaya Sakal Hridaya" | Balgandharva | Marathi |
For taking up the challenge of recreating the ethos of a doyen like Bal Gandharva who strode the musical stage like a giant. He recreates the magic of the sonorous voice of Bal Gandharva in a flawless and distinguished manner thus helping preserve a tradition. The original voice of the actor and his voice blend seamlessly. |
[47] |
| 2012 (60th) |
|
Shankar Mahadevan | "Bolo Na" | Chittagong | Hindi |
Powerful and expressive rendering of what sounds like a timeless melody. |
[48] |
| 2013 (61st) |
|
Rupankar Bagchi | "E Tumi Kemon Tumi" | Jaatishwar | Bengali | Zdroj:https://en.wikipedia.org?pojem=National_Film_Award_for_Best_Male_Playback_Singer||