Maya (religion) - Biblioteka.sk

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Maya (religion)
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Maya (/ˈmɑːjə/; Devanagari: माया, IAST: māyā), literally "illusion" or "magic",[1][2][3] has multiple meanings in Indian philosophies depending on the context. In later Vedic texts, māyā connotes a "magic show, an illusion where things appear to be present but are not what they seem";[2][4] the principle which shows "attributeless Absolute" as having "attributes".[3] Māyā also connotes that which "is constantly changing and thus is spiritually unreal" (in opposition to an unchanging Absolute, or Brahman), and therefore "conceals the true character of spiritual reality".[5][6]

In the Advaita Vedanta school of Hindu philosophy, māyā, "appearance",[7] is "the powerful force that creates the cosmic illusion that the phenomenal world is real".[8] In this nondualist school, māyā at the individual level appears as the lack of knowledge (avidyā) of the real Self, Atman-Brahman, mistakingly identifying with the body-mind complex and its entanglements.[8]

In Buddhist philosophy, māyā is one of twenty subsidiary unwholesome mental factors, responsible for deceit or concealment about the illusionary nature of things.[9][10]

In Vaishnavism, Māyā is an epithet, or a manifestation of the Hindu goddess Lakshmi,[11] who with Vishnu are together revered as the personification of the Absolute. Māyā was also the name of Gautama Buddha's mother.[12]

Etymology and terminology

Māyā (Sanskrit: माया), a word with unclear etymology, probably comes from the root [13][14][15][16] which means "to measure".[17][18]

According to Monier Williams, māyā meant "wisdom and extraordinary power" in an earlier older language, but from the Vedic period onwards, the word came to mean "illusion, unreality, deception, fraud, trick, sorcery, witchcraft and magic".[4][12] However, P. D. Shastri states that the Monier Williams' list is a "loose definition, misleading generalization", and not accurate in interpreting ancient Vedic and medieval era Sanskrit texts; instead, he suggests a more accurate meaning of māyā is "appearance, not mere illusion".[7]

According to William Mahony, the root of the word may be man- or "to think", implying the role of imagination in the creation of the world. In early Vedic usage, the term implies, states Mahony, "the wondrous and mysterious power to turn an idea into a physical reality".[17][19]

Franklin Southworth states the word's origin is uncertain, and other possible roots of māyā include may- meaning mystify, confuse, intoxicate, delude, as well as māy- which means "disappear, be lost".[20]

Jan Gonda considers the word related to , which means "mother",[13] as do Tracy Pintchman[21] and Adrian Snodgrass,[15] serving as an epithet for goddesses such as Lakshmi or Durga.[13][22]

A similar word is also found in the Avestan māyā with the meaning of "magic power".[23]

Hinduism

Literature

The Vedas

Words related to and containing Māyā, such as Mayava, occur many times in the Vedas. These words have various meanings, with interpretations that are contested,[24] and some are names of deities that do not appear in texts of 1st millennium BCE and later. The use of word Māyā in Rig Veda, in the later era context of "magic, illusion, power", occurs in many hymns. One titled Māyā-bheda (मायाभेद:, Discerning Illusion) includes hymns 10.177.1 through 10.177.3, as the battle unfolds between the good and the evil, as follows,[25]

पतंगमक्तमसुरस्य मायया हृदा पश्यन्ति मनसा विपश्चितः ।
समुद्रे अन्तः कवयो वि चक्षते मरीचीनां पदमिच्छन्ति वेधसः ॥१॥
पतंगो वाचं मनसा बिभर्ति तां गन्धर्वोऽवदद्गर्भे अन्तः ।
तां द्योतमानां स्वर्यं मनीषामृतस्य पदे कवयो नि पान्ति ॥२॥
अपश्यं गोपामनिपद्यमानमा च परा च पथिभिश्चरन्तम् ।
स सध्रीचीः स विषूचीर्वसान आ वरीवर्ति भुवनेष्वन्तः ॥३॥

The wise behold with their mind in their heart the Sun, made manifest by the illusion of the Asura;
The sages look into the solar orb, the ordainers desire the region of his rays.
The Sun bears the word in his mind; the Gandharva has spoken it within the wombs;
sages cherish it in the place of sacrifice, brilliant, heavenly, ruling the mind.
I beheld the protector, never descending, going by his paths to the east and the west;
clothing the quarters of the heaven and the intermediate spaces. He constantly revolves in the midst of the worlds.

— Rig veda X.177.1-3, Translated by Laurie Patton[25]

The above Maya-bheda hymn discerns, using symbolic language, a contrast between mind influenced by light (sun) and magic (illusion of Asura). The hymn is a call to discern one's enemies, perceive artifice, and distinguish, using one's mind, between that which is perceived and that which is unperceived.[26] Rig Veda does not connote the word Māyā as always good or always bad, it is simply a form of technique, mental power and means.[27] Rig Veda uses the word in two contexts, implying that there are two kinds of Māyā: divine Māyā and undivine Māyā, the former being the foundation of truth, the latter of falsehood.[28]

Elsewhere in Vedic mythology, Indra uses Maya to conquer Vritra.[29] Varuna's supernatural power is called Maya.[4] Māyā, in such examples, connotes powerful magic, which both devas (gods) and asuras (demons) use against each other.[4] In the Yajurveda, māyā is an unfathomable plan.[30] In the Aitareya Brahmana Maya is also referred to as Dirghajihvi, hostile to gods and sacrifices.[31] The hymns in Book 8, Chapter 10 of Atharvaveda describe the primordial woman Virāj (विराज्, chief queen) and how she willingly gave the knowledge of food, plants, agriculture, husbandry, water, prayer, knowledge, strength, inspiration, concealment, charm, virtue, vice to gods, demons, men and living creatures, despite all of them making her life miserable. In hymns of 8.10.22, Virāj is used by Asuras (demons) who call her as Māyā, as follows,

She rose. The Asuras saw her. They called her. Their cry was, "Come, O Māyā, come thou hither" !!
Her cow was Virochana Prahradi. Her milking vessel was a pan of iron.
Dvimurdha Artvya milked this Māyā.
The Asuras depend for life on Māyā for their sustenance.
One who knows this, becomes a fit supporter .

— Atharva veda VIII.10.22 [32]

The contextual meaning of Maya in Atharva Veda is "power of creation", not illusion.[27] Gonda suggests the central meaning of Maya in Vedic literature is, "wisdom and power enabling its possessor, or being able itself, to create, devise, contrive, effect, or do something".[33][34] Maya stands for anything that has real, material form, human or non-human, but that does not reveal the hidden principles and implicit knowledge that creates it.[33] An illustrative example of this in Rig Veda VII.104.24 and Atharva Veda VIII.4.24 where Indra is invoked against the Maya of sorcerers appearing in the illusory form – like a fata morgana – of animals to trick a person.[35]

The Upanishads

M. C. Escher paintings such as the Waterfall – redrawn in this sketch – demonstrates the Hindu concept of Maya, states Jeffrey Brodd.[36] The impression of water-world the sketch gives, in reality is not what it seems.

The Upanishads describe the universe, and the human experience, as an interplay of Purusha (the eternal, unchanging principles, consciousness) and Prakṛti (the temporary, changing material world, nature).[37] The former manifests itself as Ātman (Soul, Self), and the latter as Māyā. The Upanishads refer to the knowledge of Atman as "true knowledge" (Vidya), and the knowledge of Maya as "not true knowledge" (Avidya, Nescience, lack of awareness, lack of true knowledge).[27] Brihadaranyaka Upanishad, states Ben-Ami Scharfstein, describes Maya as "the tendency to imagine something where it does not exist, for example, atman with the body".[27] To the Upanishads, knowledge includes empirical knowledge and spiritual knowledge, complete knowing necessarily includes understanding the hidden principles that work, the realization of the soul of things.

Hendrick Vroom explains, "The term Maya has been translated as 'illusion,' but then it does not concern normal illusion. Here 'illusion' does not mean that the world is not real and simply a figment of the human imagination. Maya means that the world is not as it seems; the world that one experiences is misleading as far as its true nature is concerned."[38] Lynn Foulston states, "The world is both real and unreal because it exists but is 'not what it appears to be'."[6] According to Wendy Doniger, "to say that the universe is an illusion (māyā) is not to say that it is unreal; it is to say, instead, that it is not what it seems to be, that it is something constantly being made. Māyā not only deceives people about the things they think they know; more basically, it limits their knowledge."[39]

Māyā pre-exists and co-exists with Brahman – the Ultimate Principle, Consciousness.[40] Maya is perceived reality, one that does not reveal the hidden principles, the true reality. Maya is unconscious, Atman is conscious. Maya is the literal, Brahman is the figurative Upādāna – the principle, the cause.[40] Maya is born, changes, evolves, dies with time, from circumstances, due to invisible principles of nature, state the Upanishads. Atman-Brahman is eternal, unchanging, invisible principle, unaffected absolute and resplendent consciousness. Maya concept in the Upanishads, states Archibald Gough, is "the indifferent aggregate of all the possibilities of emanatory or derived existences, pre-existing with Brahman", just like the possibility of a future tree pre-exists in the seed of the tree.[40]

The concept of Maya appears in numerous Upanishads. The verses 4.9 to 4.10 of Svetasvatara Upanishad, is the oldest explicit occurrence of the idea that Brahman (Supreme Soul) is the hidden reality, nature is magic, Brahman is the magician, human beings are infatuated with the magic and thus they create bondage to illusions and delusions, and for freedom and liberation one must seek true insights and correct knowledge of the principles behind the hidden magic.[41] Gaudapada in his Karika on Mandukya Upanishad explains the interplay of Atman and Maya as follows,[42]

The Soul is imagined first, then the particularity of objects,
External and internal, as one knows so one remembers.
As a rope, not perceived distinctly in dark, is erroneously imagined,
As snake, as a streak of water, so is the Soul (Atman) erroneously imagined.
As when the rope is distinctly perceived, and the erroneous imagination withdrawn,
Only the rope remains, without a second, so when distinctly perceived, the Atman.
When he as Pranas (living beings), as all the diverse objects appears to us,
Then it is all mere Maya, with which the Brahman (Supreme Soul) deceives himself.

— Gaudapada, Māṇḍukya Kārikā 2.16-19 [42]

Sarvasara Upanishad refers to two concepts: Mithya and Maya.[43] It defines Mithya as illusion and calls it one of three kinds of substances, along with Sat (Be-ness, True) and Asat (not-Be-ness, False). Maya, Sarvasara Upanishad defines as all what is not Atman. Maya has no beginning, but has an end. Maya, declares Sarvasara, is anything that can be studied and subjected to proof and disproof, anything with Guṇas.[43] In the human search for Self-knowledge, Maya is that which obscures, confuses and distracts an individual.[43]

The Puranas and Tamil texts

Markandeya sees Vishnu as an infant on a fig leaf in the deluge

In Puranas and Vaishnava theology, māyā is described as one of the nine shaktis of Vishnu.[44] Māyā became associated with sleep; and Vishnu's māyā is sleep which envelopes the world when he awakes to destroy evil. Vishnu, like Indra, is the master of māyā; and māyā envelopes Vishnu's body.[44] The Bhagavata Purana narrates that the sage Markandeya requests Vishnu to experience his māyā. Vishnu appears as an infant floating on a fig leaf in a deluge and then swallows the sage, the sole survivor of the cosmic flood. The sage sees various worlds of the universe, gods etc. and his own hermitage in the infant's belly. Then the infant breathes out the sage, who tries to embrace the infant, but everything disappears and the sage realizes that he was in his hermitage the whole time and was given a flavor of Vishnu's māyā.[45] The magic creative power, Māyā was always a monopoly of the central Solar God; and was also associated with the early solar prototype of Vishnu in the early Aditya phase.[44]

The basic grammar of the third and final Tamil Sangam is Tholkappiyam composed by Tholkappiyar, who according to critics is referred as Rishi Jamadagni's brother Sthiranadumagni and uncle of Parshurama. He categorically uses a Prakrit (Tamil:Pagatham) Tadbhava Mayakkam, which is the root of the word Maya(m). He says that the entire creation is a blurred flow between State of matter or Pancha Bhutas. This concept of Maya is of the school of Agastya, who was the first Tamil grammarian and the guru of Tholkappiyar.[46]

In Sangam period Tamil literature as well as the later hymns of the Tamil Alvars, Krishna and Narayana are found as Māyon;[47] with other attributed names are such as Mal, Tirumal, Perumal and Mayavan.[48] In the Tamil classics, Durga is referred to by the feminine form of the word, viz., māyol;[49] wherein she is endowed with unlimited creative energy and the great powers of Vishnu, and is hence Vishnu-Maya.[49]

Maya, to Shaiva Siddhanta sub-school of Hinduism, states Hilko Schomerus, is reality and truly existent, and one that exists to "provide Souls with Bhuvana (a world), Bhoga (objects of enjoyment), Tanu (a body) and Karana (organs)".[50]

Schools of Hinduism

Need to understand Māyā

The various schools of Hinduism, particularly those based on naturalism (Vaiśeṣika), rationalism (Samkhya) or ritualism (Mimamsa), questioned and debated what is Maya, and the need to understand Maya.[51] The Vedanta and Yoga schools explained that complete realization of knowledge requires both the understanding of ignorance, doubts and errors, as well as the understanding of invisible principles, incorporeal and the eternal truths. In matters of Self-knowledge, stated Shankara in his commentary on Taittiriya Upanishad,[52] one is faced with the question, "Who is it that is trying to know, and how does he attain Brahman?" It is absurd, states Shankara, to speak of one becoming himself; because "Thou Art That" already. Realizing and removing ignorance is a necessary step, and this can only come from understanding Maya and then looking beyond it.[52]

The need to understand Maya is like the metaphorical need for road. Only when the country to be reached is distant, states Shankara, that a road must be pointed out. It is a meaningless contradiction to assert, "I am right now in my village, but I need a road to reach my village."[52] It is the confusion, ignorance and illusions that need to be repealed. It is only when the knower sees nothing else but his Self that he can be fearless and permanent.[51][52] Vivekananda explains the need to understand Maya as follows (abridged),[53] Zdroj:https://en.wikipedia.org?pojem=Maya_(religion)
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