A | B | C | D | E | F | G | H | CH | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9
The table below shows all known compositions by Edward Elgar.
Compositions
Works are shown in opus number order (Opp. 1–90), followed by those without opus number, in date order (1867–1933). The list includes incomplete and unpublished works.
Op. | Year | Title | Genre | Notes | Dedication | Words | Pub. |
---|---|---|---|---|---|---|---|
1 | 1878 | Romance | chamber | violin and piano, also with orchestra | Oswin Grainger[1] | — | Schott |
1a | 1907 | The Wand of Youth, Suite No. 1 | orchestral | from music written 1867–71 1. Overture 2. Serenade 3. Minuet (Old Style) 4. Sun Dance 5. Fairy Pipers 6. Slumber Scene 7. Fairies and Giants |
C. Lee Williams[2] | — | Novello |
1b | 1908 | The Wand of Youth, Suite No. 2 | orchestral | from music written 1867–71 1. March 2. The Little Bells (Scherzino) 3. Moths and Butterflies (Dance) 4. Fountain Dance 5. The Tame Bear 6. The Wild Bears |
Hubert A. Leicester[3] | — | Novello |
2 | 1887 | Three motets / anthems |
church | choir and organ, pub. 1902–1907 1. "Ave verum corpus"/"Jesu, Word of God Incarnate" 2. "Ave Maria"/"Jesu, Lord of Life and Glory" 3. "Ave Maris Stella"/"Jesu, Meek and Lowly" |
— | — | Novello |
2.1 | 1902 | "Ave verum corpus" / "Jesu, Word of God Incarnate" |
church | motet/anthem choir and organ, written 1887 |
'In Memoriam – W. A. obit 27 January 1887.' (William Allen)[4] | Eucharistic Hymn | Novello |
2.2 | 1907 | "Ave Maria" / "Jesu, Lord of Life and Glory" |
church | motet/anthem choir and organ, written 1887 |
Mrs Hubert A. Leicester[5] | Eucharistic Hymn | Novello |
2.3 | 1907 | "Ave Maris Stella" / "Jesu, Meek and Lowly" |
church | motet/anthem choir and organ, written 1887 |
Rev. Canon Dolman, O.S.B., Hereford [6] | Eucharistic Hymn | Novello |
3 | 1912 | Cantique[7] | keyboard | organ, originally a wind quintet Andante arioso from Harmony Music No. 6 (1879), arr. organ and for orchestra | Hugh Blair | — | Novello |
4 | 1883 | Three pieces | chamber | violin and piano 1. Idylle (Esquisse Façile) 2. Pastourelle 3. Virelai |
— | — | — |
4.1 | 1883 | Idylle (Esquisse Façile) | chamber | violin and piano | E. E., Inverness[8] | — | Beare, Ashdown |
4.2 | 1883 | Pastourelle | chamber | violin and piano | Miss Hilda Fitton, Malvern[9] | — | Swan, Novello |
4.3 | 1883 | Virelai | chamber | violin and piano | Frank W. Webb[10] | — | Swan, Novello |
5 | 1903 | Two songs[11] | song | voice and piano 1. "A War Song" 2. unknown |
— | — | — |
5.1 | 1903 | "A War Song" | song | voice and piano, originally "A Soldier’s Song" (1884) | F. G. P., Worcester (Frederick G. Pedley)[12] |
C. Flavell Hayward[13] | Boosey |
5.2 | 1903 | unknown | song | voice and piano | — | — | — |
6 | 1878–81 | Wind Quintets | chamber | wind quintet: 2 flutes, oboe, clarinet and bassoon/cello[14] see Op. 6.1 — Op. 6.6[15] 1. Six Promenades 2. Harmony Music, numbered 1 to 7 3. Five Intermezzos 4. Four Dances 5. Andante con Variazioni "Evesham Andante" 6. Adagio Cantabile "Mrs. Winslow's soothing syrup" pub. posth., first perf. 1934, see also Peckham March (1877) for the same group |
— | — | — |
6.1 | 1878 | Six Promenades | chamber | wind quintet: 2 flutes, oboe, clarinet and bassoon/cello 1. Moderato e molto maestoso 2. Moderato ”Madame Taussaud's"[16] 3. Presto 4. Andante "Somniferous" 5. Allegro molto 6. Allegro Maestoso "Hell and Tommy" |
— | — | Belwin |
6.2 | 1878–81 | Harmony Music | chamber | Nos. 1–6 for wind quintet: 2 flutes, oboe, clarinet, and bassoon/cello, No. 7 a sextet, having also a part for violin.[17] 1. Allegro Molto (1878) 2. Allegro non tanto (1878) 3. (Allegro) (1878, incomplete) 4. Allegro molto "The Farm Yard" (1879) 5. Allegro moderato "The Mission"; Menuetto and Trio; Andante "Noah's Ark"; Finale (Allegro) (1879) 6. Allegro Molto; Andante arioso[18] (1879) 7. Allegro; Scherzo (1881) |
Frank Exton (No. 1)[19] W. B. Leicester (2)[20] Frank Elgar (3)[21] |
— | Belwin |
6.3 | 1879 | Five Intermezzos | chamber | wind quintet: 2 flutes, oboe, clarinet and bassoon/cello 1. Allegro moderato "The Farmyard" 2. Adagio Solenne 3. Allegretto "Nancy" 4. Andante con moto 5. Allegretto |
— | — | Belwin |
6.4 | 1879 | Four Dances | chamber | wind quintet: 2 flutes, oboe, clarinet and bassoon/cello 1. Menuetto 2. Gavotte "The Alphonsa"[22] 3. Sarabande – Largo[23] 4. Gigue – Allegro |
— | — | Belwin |
6.5 | 1879 | Andante con Variazione "Evesham Andante" | chamber | wind quintet: 2 flutes, oboe, clarinet and bassoon/cello | 'H. A. L.' (Hubert Leicester)[3] | — | — |
6.6 | 1879 | Adagio Cantabile "Mrs Winslow's soothing syrup" | chamber | wind quintet: 2 flutes, oboe, clarinet and bassoon/cello | — | — | Belwin |
7 | 1884 | Sevillaña | orchestral | — | W. C. Stockley | — | Tuckwood, Ascherberg |
8 | 1888 | Quartet | chamber | string quartet, destroyed[24] | — | — | — |
9 | 1884? | Violin Sonata | chamber | violin and piano, destroyed | — | — | — |
10 | 1899 | Three Characteristic Pieces | orchestral | 1. Mazurka 2. Sérénade Mauresque 3. Contrasts: The Gavotte A.D. 1700 and 1900 |
Lady Mary Lygon[25] | — | Novello |
10.1 | 1899 | Mazurka | orchestral | — | Lady Mary Lygon[25] | — | Novello |
10.2 | 1899 | Sérénade Mauresque | orchestral | — | Lady Mary Lygon[25] | — | Novello |
10.3 | 1899 | Contrasts: The Gavotte A.D. 1700 and 1900 | orchestral | — | Lady Mary Lygon[25] | — | Novello |
11 | 1894 | Sursum corda (Élévation) | orchestral | strings, brass, timpani and organ | H. Dyke Acland, Malvern[26] | — | Schott |
12 | 1888 | Salut d'Amour (Liebesgruss) | chamber | violin and piano also for piano, orchestra and numerous arrangements |
à Carice (C. Alice Elgar) | — | Schott |
13 | 1889–90 | Two pieces | chamber | violin and piano 1. Mot d'Amour (1889) 2. Bizarrerie (1890) |
— | — | — |
13.1 | 1889 | Mot d'Amour | chamber | violin and piano first pub. as Liebesahnung, companion piece to Liebesgruss |
Alice (C. Alice Elgar) | — | Ascherberg |
13.2 | 1890 | Bizarrerie | chamber | violin and piano | Fred Ward[27] | — | Ascherberg |
14 | 1890 | Vesper Voluntaries | keyboard | organ Introduction, 1. Andante, 2. Allegro, 3. Andantino (from Quartet in D, 1888), 4. Allegro piacevole, 5. Poco lento, 6. Moderato, 7. Allegretto pensoso, 8. Poco allegro, Coda |
Mrs W. A. Raikes[28] | — | Ascherberg |
15 | 1897–99 | Two pieces | chamber | violin and piano 1. Chanson de Nuit 2. Chanson de Matin |
— | — | — |
15.1 | 1897 | Chanson de Nuit | chamber | violin and piano, also orchestra (1899), numerous arrangements |
F. Ehrke, M.D.[29] | — | Novello |
15.2 | 1899 | Chanson de Matin | chamber | violin and piano, also orchestra (1901), numerous arrangements |
— | — | Novello |
16 | 1885–94 | Three songs | song | voice and piano, repub. 1907 in Seven Lieder 1. "The Shepherd's Song" (1892) 2. "Through the Long Days" (1885) 3. "Rondel" (1894) |
— | — | — |
16.1 | 1892 | "The Shepherd's Song" | song | voice and piano, repub. 1907 in Seven Lieder |
— | Barry Pain | Tuckwood, Ascherberg |
16.2 | 1885 | "Through the Long Days" | song | voice and piano, repub. 1907 in Seven Lieder |
— | John Hay | Weber, Ascherberg |
16.3 | 1894 | "Rondel" | song | voice and piano, repub. 1907 in Seven Lieder |
— | Longfellow, after Froissart |
Ascherberg |
17 | 1891 | La Capricieuse | chamber | violin and piano | Fred Ward[30] | — | Breitkopf & Härtel |
18 | 1890 | Three part-songs | part-song | SATB unacc. 1. "O Happy Eyes" 2. "Love" 3. "My Love Dwelt in a Northern Land" |
— | — | Novello |
18.1 | 1890 | "O Happy Eyes" | part-song | SATB unacc. | — | C. Alice Elgar | Novello |
18.2 | 1890 | "Love" | part-song | SATB unacc. | C. A. E. (C. Alice Elgar) | Arthur Maquarie | Novello |
18.3[31] | 1890 | "My Love Dwelt in a Northern Land" | part-song | SATB unacc. | Rev. J. Hampton[32] | Andrew Lang | Novello |
19 | 1890 | Froissart | orchestral | concert-overture | — | — | Novello |
20 | 1888–92 | Serenade | orchestral | string orchestra, revised version of Three Pieces for string orchestra 1. Allegro piacevole 2. Larghetto 3. Allegretto |
W. H. Whinfield[33] | — | Breitkopf & Härtel |
21 | 1899 | Minuet | orchestral | originally for piano 1897 | Paul Kilburn[34] | — | Joseph Williams |
22 | 1892 | Very Melodious Exercises in the First Position | chamber | violin and piano | May Grafton[35] | — | Chanot, Laudy |
23 | 1892 | "Spanish Serenade" | part-song | "Stars of the Summer Night". SATB acc. 2 violins and piano, also acc. orchestra 1893 |
— | Longfellow | Novello |
24 | 1892 | Études caractéristiques | chamber | violin solo | Adolphe Pollitzer | — | Chanot |
25 | 1889–92 | The Black Knight | choral | symphony/cantata for chorus and orchestra, poem by Uhland, tr. Longfellow | Hugh Blair | Longfellow | Novello |
26 | 1894 | Two part-songs | part-song | SSA acc. 2 violins and piano 1. "The Snow" 2. "Fly, Singing Bird" |
Mrs E. B. Fitton, Malvern[36] | C. Alice Elgar | Novello |
26.1 | 1894 | "The Snow" | part-song | SSA acc. 2 violins and piano, also other vocal arrangements and with orchestra |
Mrs E. B. Fitton, Malvern[36] | C. Alice Elgar | Novello |
26.2 | 1894 | "Fly, Singing Bird" | part-song | SSA acc. 2 violins and piano, also other vocal arrangements and with orchestra |
Mrs E. B. Fitton, Malvern[36] | C. Alice Elgar | Novello |
27 | 1895–96 | From the Bavarian Highlands | choral | choral-songs SATB and orchestra 1. "The Dance" (Sonnenbichl) 2. "False Love" (Wamberg) 3. "Lullaby" (In Hammersbach) 4. "Aspiration" (Bei Sankt Anton) 5. "On the Alm" 'True Love'(Hoch Alp) 6. "The Marksmen (Bei Murnau)" Nos. 1, 3 and 6 arr. for orchestra as Three Bavarian Dances |
Mr and Mrs Henry Slingsby Bethell, Garmisch, Bavaria[37] | C. Alice Elgar, adapted from Bavarian folksongs |
Joseph Williams |
27 | 1898 | Three Bavarian Dances | orchestral | songs from From the Bavarian Highlands arranged for orchestra 1. "The Dance" (Sonnenbichl) 2. "Lullaby" (In Hammersbach) 3. "The Marksmen (Bei Murnau)" also for piano solo, and violin and piano |
— | — | Joseph Williams |
28 | 1898 | Organ Sonata in G | keyboard | organ | Dr. C. Swinnerton Heap | — | Breitkopf |
29 | 1896 | The Light of Life | choral | (Lux Christi) soprano, alto, tenor and bass soloists, chorus and orchestra |
Dr. C. Swinnerton Heap | Rev. E. Capel-Cure, adapted from the Scriptures |
Novello |
30 | 1896 | Scenes from The Saga of King Olaf | choral | cantata for soprano, tenor and bass soloists, chorus and orchestra incl. part-song "As torrents in summer" pub. separately |
— | Longfellow and Harry Arbuthnot Acworth |
Novello |
31 | 1900 | Two songs | song | voice and piano 1. "After" 2. "A Song of Flight" |
— | — | — |
31.1 | 1900 | "After" | song | voice and piano | — | Philip Bourke Marston | Boosey |
31.2 | 1900 | "A Song of Flight" | song | voice and piano | — | Christina Rossetti | Boosey |
32 | 1897 | Imperial March | orchestral | for the Diamond Jubilee of the Queen's accession, also arr. piano | for H.M. Queen Victoria | — | Novello |
33 | 1897 | The Banner of St. George | choral | ballad for chorus and orchestra | — | Shapcott Wensley | Novello |
34 | 1897 | Te Deum and Benedictus | church | choir and organ | — | Hymn Benedictus (Song of Zechariah) |
Novello |
35 | 1897–98 | Caractacus | choral | cantata for soprano, tenor, baritone and bass soloists, chorus and orchestra | H.M. Queen Victoria | H. A. Acworth | Novello |
36 | 1899 | Variations on an Original Theme (Enigma) | orchestral | Theme Enigma (andante) I. C.A.E. (andante) II. H.D.S.-P. (allegro) III. R.B.T. (allegretto) IV. W.M.B. (allegro di molto) V. R.P.A. (moderato) VI. Ysobel (andantino) VII. Troyte (presto) VIII. W.N. (allegretto) IX. Nimrod (adagio) X. Intermezzo, Dorabella (allegretto) XI. G.R.S. (allegro di molto) XII. B.G.N. (andante) XIII. Romanza "***" (moderato) Finale E.D.U. (allegro) |
'To my friends pictured within': Caroline Alice Elgar Hew David Steuart-Powell Robert Baxter Townshend William Meath Baker Richard Penrose Arnold Isabel Fitton Arthur Troyte Griffith Winifred Norbury August Jaeger Dora Penny George Robertson Sinclair Basil George Nevinson Lady Mary Lygon Edward Elgar |
— | Novello |
37 | 1897–99 | Sea Pictures | song | song-cycle for contralto or mezzo-soprano and orchestra (or piano) 1. "Sea-Slumber Song" 2. "In Haven (Capri)" 3. "Sabbath Morning at Sea" 4. "Where Corals Lie" 5. "The Swimmer" |
— | — | Boosey |
37.1 | 1899 | "Sea-Slumber Song" | song | from Sea Pictures contralto or mezzo-soprano and orchestra (or piano) |
— | Hon. Roden Noel | Boosey |
37.2 | 1899 | "In Haven (Capri)" | song | from Sea Pictures contralto or mezzo-soprano and orchestra (or piano) pub. 1897 as Love alone will stay |
— | C. Alice Elgar | Boosey |
37.3 | 1899 | "Sabbath Morning at Sea" | song | from Sea Pictures contralto or mezzo-soprano and orchestra (or piano) |
— | Elizabeth Barrett Browning | Boosey |
37.4 | 1899 | "Where Corals Lie" | song | from Sea Pictures contralto or mezzo-soprano and orchestra (or piano) |
— | Richard Garnett | Boosey |
37.5 | 1899 | "The Swimmer" | song | from Sea Pictures contralto or mezzo-soprano and orchestra (or piano) |
— | Adam Lindsay Gordon | Boosey |
38 | 1899–1900 | The Dream of Gerontius | choral | for mezzo-soprano, tenor and bass soloists, chorus and orchestra | A.M.D.G. | Cardinal Newman | Novello |
39 | 1901–30 | Pomp and Circumstance Marches | orchestral | 1. in D (1901) 2. in A minor (1901) 3. in C minor (1904) 4. in G (1907) 5. in C (1930) 6. sketches[38] |
— | — | — |
39.1 | 1901 | Pomp and Circumstance March No. 1 in D | orchestral | the trio contains the tune known as Land of Hope and Glory | A. E. Rodewald and the members of the Liverpool Orchestral Society | — | Boosey |
39.2 | 1901 | Pomp and Circumstance March No. 2 in A minor | orchestral | — | Granville Bantock | — | Boosey |
39.3 | 1904 | Pomp and Circumstance March No. 3 in C minor | orchestral | — | Ivor Atkins | — | Boosey |
39.4 | 1907 | Pomp and Circumstance March No. 4 in G | orchestral | in 1940 set to words by A. P. Herbert as Song of Liberty | G. R. Sinclair | — | Boosey |
39.5 | 1930 | Pomp and Circumstance March No. 5 in C | orchestral | Zdroj:https://en.wikipedia.org?pojem=List_of_compositions_by_Edward_Elgar