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Land of the Minotaur
Directed by	Kostas Karagiannis
Written by	Arthur Rowe
Produced by	Frixos Constantine
Starring	Donald Pleasence Peter Cushing
Music by	Brian Eno
Production companies	Getty Pictures Corp. Poseidon Films
Distributed by	Cathay Films (United Kingdom) Crown International Pictures (United States)
Release dates	11 August 1976 (1976-08-11) (Greece and the United Kingdom) 25 May 1977 (1977-05-25) (United States)
Running time	95 minutes
Countries	Greece United Kingdom United States
Language	English
Box office	$1,020,000[1]

Land of the Minotaur (UK title: The Devil's Men) is a 1976 horror film directed by Kostas Karagiannis and written by Arthur Rowe. The film is also known as Minotaur and The Devil's Men.^[2]

Land of the Minotaur is actually the name of the shorter U.S. edit of the film. When seen as The Devil’s Men, it is the full 94 minute European cut.

Plot

Tourists visiting a Greek archeological site are being abducted by a strange cult, intent on providing their God - the Minotaur - with sacrifice. Irish priest Father Roche (Donald Pleasence) enlists the help of Laurie Gordon, an archaeological student, and Milo Kaye, a private detective, to find out what has happened to them.

Cast

• Donald Pleasence as Father Roche
• Peter Cushing as Baron Corofax
• Luan Peters as Laurie Gordon
• Kostas Karagiorgis (credited as Costas Skouras) as Milo Kaye
• Fernando Bislamis (credited as Dimitris Bislanis) as Sgt Vendris
• George Venlis as Max
• Vanna Reville as Beth
• Nikos Verlekis as Ian
• Robert Behling (credited as Bob Behling) as Tom Gifford
• Anna Matzourani as Mrs. Mikaelis
• Anestis Vlachos as Shopkeeper - Karapades
• Jane Lyle as Milo's Girlfriend
• Jessica Dublin (credited as Jessica) as Mrs. Zagros

Reception

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Critical response for Land of the Minotaur has been predominantly negative. TV Guide gave the film one out of four stars, calling it " distinctly silly effort".^[3] HorrorNews.net found the film enjoyable in spite of its contrived plot, commending its soundtrack (by Brian Eno) and chemistry between its two leads.^[4] According to John Stanley, it is "a dreadful British-Greek production...Bereft of logic, characterizations, suspense and anything else that makes watchable cinema."^[5] Del Vecchio and Johnson write that "The film itself is a preposterous labyrinth of false starts and dead ends. It's tediously predictable and gleefully flaunts scripter Arthur Rowe's total lack of imagination. None of his characters,unfortunately, were ever able to escape the first dimension and one becomes painfully aware that a five-minute plot cannot be stretched into a 94-minute running time. Technically fares even worse. The sound quality is literally a disaster and dubbing is so poorly done that even though Pleasence and Cushing are speaking English on film, their lip movements are off synch on the soundtrack! Editing is even worse, with scene changes cutting into dialogue...Both Donald Pleasence and Peter Cushing are hideously squandered..."^[6] David Miller calls the film "muddled story of ancient rites and blood sacrifice...The sound in the film is hollow and indistinct, the photography clumsy and the script feeble...far too much is made of the pagan idol, a pint-size statue of a minotaur with two gas-burners up its nose..." "looks formidable striding through the caves in his crimson robes."^[7]

Praising the "suffocating ambiance and dream-like atmosphere", as well as Brian Eno's electronic score, Chris Alexander argues that the film is underrated: "Make no mistake, it's a lowbrow exploitation film, but it's one that’s filtered through a very stylised art house sensibility. Don't be swayed by the negative mainstream reviews and general fanboy silence."^[8] Emanuel Levy rated the film three out of five.^[9]

References

External links

• Land of the Minotaur at AllMovie
• Land of the Minotaur at IMDb
• On Eno's soundtrack