God Save the King

Publication of an early version in The Gentleman's Magazine, October 1745. The title, on the contents page, is given as "God save our lord the king: A new song set for two voices".
National or royal anthem of the United Kingdom, Canada, Australia, New Zealand, and other Commonwealth Realms
Also known as	God Save the Queen (when the monarch is female)
Music	Unknown
Adopted	September 1745; 278 years ago (1745-09) (United Kingdom) 1977; 47 years ago (1977) (New Zealand)
Audio sample
"God Save the King, performed by the United States Navy Band." file help

"God Save the King" (alternatively "God Save the Queen" when the British monarch is female) is the national anthem of the United Kingdom and the royal anthem of each of the British Crown Dependencies,^[1][2] one of two national anthems of New Zealand, and the royal anthem of most Commonwealth realms. The author of the tune is unknown and it may originate in plainchant, but an attribution to the composer John Bull has sometimes been made.

In countries not part of the British Empire, the tune of "God Save the King" has provided the basis for various patriotic songs, though still generally connected with royal ceremony.^[3] The melody continues to be used for the national anthem of Liechtenstein, "Oben am jungen Rhein", and the royal anthem of Norway, "Kongesangen". The melody is used for the American patriotic song "My Country, 'Tis of Thee" (also known as "America"). The melody was also used for the national anthem "Heil dir im Siegerkranz" ("Hail to thee in the Victor's Crown") of the Kingdom of Prussia from 1795 and of the German Empire from 1871 to 1918, and as "The Prayer of Russians", the imperial anthem of Russia from 1816 to 1833. In Switzerland, it is known as "Rufst du, mein Vaterland".

Beyond its first verse, which is consistent, "God Save the King" has many historic and extant versions. Since its first publication, different verses have been added and taken away and, even today, different publications include various selections of verses in various orders.^[4] In general, only one verse is sung. Sometimes two verses are sung and, on certain occasions, three.^[1]

The entire composition is the musical salute for the monarch and royal consort,^[5] while other members of the royal family who are entitled to royal salute (such as the Prince of Wales, along with his spouse) receive just the first six bars. The first six bars also form all or part of the viceregal salute in some Commonwealth realms other than the UK (e.g., in Canada, governors general and lieutenant governors at official events are saluted with the first six bars of "God Save the King" followed by the first four and last four bars of "O Canada"), as well as the salute given to governors of British overseas territories.

History

The text first appeared in England in the late 1590s, with the publication of Shakespeare's Richard III (Act 4, Scene 1). Lady Anne says to Queen Elizabeth: "Were red-hot steel to sear me to the brains! Anointed let me be with deadly venom, And die ere men can say 'God save the Queen.'"

In The Oxford Companion to Music, Percy Scholes points out the similarities to an early plainsong melody, although the rhythm is very distinctly that of a galliard,^[6] and he gives examples of several such dance tunes that bear a striking resemblance to "God Save the King". Scholes quotes a keyboard piece by John Bull (1619) which has some similarities to the modern tune, depending on the placing of accidentals which at that time were unwritten in certain cases and left to the discretion of the player (see musica ficta). He also points to several pieces by Henry Purcell, one of which includes the opening notes of the modern tune, setting the words "God Save the King". Nineteenth-century scholars and commentators mention the widespread belief that an old Scots carol, "Remember O Thou Man", was the source of the tune.^[7][8]

The first published version that resembles the present song appeared in 1744, with no title but the heading "For two voices", in an anthology originally named Harmonia Britannia but changed after only a few copies had been printed to Thesaurus Musicus.^[9] When the Jacobite pretender Charles Edward Stuart led the 1745 rising, the song spread among those loyal to King George II. The tune published in The Gentleman's Magazine in 1745 departs from that used today at several points, one as early as the first bar, but is otherwise clearly a strong relative of the contemporary anthem. It was recorded as being sung in London theatres in 1745, with, for example, Thomas Arne writing a setting of the tune for the Drury Lane Theatre.

Scholes' analysis includes mention of "untenable" and "doubtful" claims, as well as "an American misattribution". Some of these are:

• James Oswald was a possible author of the Thesaurus Musicus, so may have played a part in the history of the song, but is not a strong enough candidate to be cited as the composer of the tune.
• Henry Carey: Scholes refutes this attribution: first on the grounds that Carey himself never made such a claim; second, when the claim was made by Carey's son (in 1795), it was in support of a request for a pension from the British Government; and third, the younger Carey claimed that his father, who died in 1743, had written parts of the song in 1745. It has also been claimed that the work was first publicly performed by Carey during a dinner in 1740 in honour of Admiral Edward "Grog" Vernon, who had captured the Spanish harbour of Porto Bello (then in the Viceroyalty of New Granada, now in Panama) during the War of Jenkins' Ear.

Scholes recommends the attribution "traditional" or "traditional; earliest known version by John Bull (1562–1628)". The English Hymnal (musical editor Ralph Vaughan Williams) gives no attribution, stating merely "17th or 18th cent."^[10]

Use in the United Kingdom

Like many aspects of British constitutional life, "God Save the King" derives its official status from custom and use, not from Royal Proclamation or Act of Parliament.^[11] The variation in the UK of the lyrics to "God Save the King" is the oldest amongst those currently used, and forms the basis on which all other versions used throughout the Commonwealth are formed; though, again, the words have varied over time.

England has no official national anthem of its own; "God Save the King" is treated as the English national anthem when England is represented at sporting events (though there are some exceptions to this rule, such as cricket where "Jerusalem" is used). There is a movement to establish an English national anthem, with Blake and Parry's "Jerusalem" and Elgar's "Land of Hope and Glory" among the top contenders. Wales has a single official national anthem, "Hen Wlad Fy Nhadau" (Land of my Fathers) while Scotland uses unofficial anthems ("Scotland the Brave" was traditionally used until the 1990s; since then, "Flower of Scotland" is more commonly used), these anthems are used formally at state and national ceremonies as well as international sporting events such as football and rugby union matches.^[12] On all occasions in Northern Ireland, "God Save the King" is still used as the official anthem.

In 2001, it was claimed that the phrase "No surrender" was occasionally sung in the bridge before "Send her victorious" by England football fans at matches.^[13][14]

Since 2003, "God Save the King", considered an all-inclusive anthem for Great Britain and Northern Ireland, as well as other countries within the Commonwealth, has been dropped from the Commonwealth Games. Northern Irish athletes receive their gold medals to the tune of the "Londonderry Air", popularly known as "Danny Boy". In 2006, English winners heard Elgar's "Pomp and Circumstance March No. 1", usually known as "Land of Hope and Glory",^[15] but after a poll conducted by the Commonwealth Games Council for England prior to the 2010 Games, "Jerusalem" was adopted as England's new Commonwealth Games anthem. In sports in which the UK competes as one nation, most notably as Great Britain at the Olympics, the anthem is used to represent anyone or any team that comes from the United Kingdom.^[12]

Lyrics in the UK

The phrase "God Save the King" is much older than the song, appearing, for instance, several times in the King James Bible.^[16] A text based on the 1st Book of Kings Chapter 1: verses 38–40, "And all the people rejoic'd, and said: God save the King! Long live the King! May the King live for ever, Amen", has been sung and proclaimed at every coronation since that of King Edgar in 973.^[17] Scholes says that as early as 1545 "God Save the King" was a watchword of the Royal Navy, with the response being "Long to reign over us".^[18][19] He also notes that the prayer read in churches on anniversaries of the Gunpowder Plot includes words which might have formed part of the basis for the former standard verse "Scatter our enemies...assuage their malice and confound their devices".

In 1745, The Gentleman's Magazine published "God save our lord the king: A new song set for two voices", describing it "As sung at both Playhouses" (the Theatres Royal at Drury Lane and Covent Garden).^[20] Traditionally, the first performance was thought to have been in 1745, when it was sung in support of King George II, after his defeat at the Battle of Prestonpans by the army of Charles Edward Stuart, son of James Francis Edward Stuart, the Jacobite claimant to the British throne.

It is sometimes claimed that, ironically, the song was originally sung in support of the Jacobite cause: the word "send" in the line "Send him victorious" could imply that the king was absent. However, the Oxford English Dictionary cites examples of " send (a person) safe, victorious, etc." meaning "God grant that he may be safe, etc.". There are also examples of early 18th-century drinking glasses which are inscribed with a version of the words and were apparently intended for drinking the health of King James II and VII.

Scholes acknowledges these possibilities but argues that the same words were probably being used by both Jacobite and Hanoverian supporters and directed at their respective kings.^[21]

In 1902, the musician William Hayman Cummings, quoting mid-18th century correspondence between Charles Burney and Sir Joseph Banks, suggested that the words had been based on a Latin verse composed for King James II at the Chapel Royal.

O Deus optime
Salvum nunc facito
Regem nostrum
Sic laeta victoria
Comes et gloria
Salvum iam facitoe
Tu dominum.^[22]

Standard version in the United Kingdom

As the reigning monarch is currently Charles III, the male version of the anthem is used.

When the current monarch is male

God save our gracious King!
Long live our noble King!
God save the King!
Send him victorious,
Happy and glorious,
Long to reign over us:
God save the King!

Thy choicest gifts in store,
On him be pleased to pour;
Long may he reign:
May he defend our laws,
And ever give us cause,
To sing with heart and voice,
God save the King!^[1]

When the monarch of the time is female, "King" is replaced with "Queen" and all masculine pronouns are replaced with their feminine equivalents.

There is no definitive version of the lyrics. However, the version consisting of the two above verses has the best claim to be regarded as the "standard" British version as referenced on the Royal Family website.^[1] The song with an additional verse appears not only in the 1745 Gentleman's Magazine, but also in publications such as The Book of English Songs: From the Sixteenth to the Nineteenth Century (1851),^[23] National Hymns: How They Are Written and How They Are Not Written (1861),^[24] Household Book of Poetry (1882),^[25] and Hymns Ancient and Modern, Revised Version (1982).^[26]

The same version with appears in publications including Scouting for Boys (1908),^[27] and on the Royal Family website.^[1]

According to Alan Michie's The Crown and the People, which was published in 1952, after the death of King George VI but before the coronation of Queen Elizabeth II, when the first General Assembly of the United Nations was held in London in January 1946 the King, in honour of the occasion, "ordered the belligerent imperious second stanza of 'God Save the King' to be rewritten to bring it more into the spirit of the brotherhood of nations."^{[citation needed][28]}

In the UK, the first verse is typically sung alone, even on official occasions, although the second verse is sometimes sung in addition on certain occasions such as during the opening ceremonies of the 2012 Summer Olympics, 2012 Summer Paralympics, and the 2022 Commonwealth Games and usually at the Last Night of the Proms. The second verse was also sung during the coronation of King Charles III and Queen Camilla.

Standard version of the music

The standard version of the melody and its key of G major are still those of the originally published version, although the start of the anthem is often signalled by an introductory timpani roll of two bars length. The bass line of the standard version differs little from the second voice part shown in the original, and there is a standard version in four-part harmony for choirs. The first three lines (six bars of music) are soft, ending with a short crescendo into "Send him victorious", and then is another crescendo at "over us:" into the final words "God save the King".

In the early 20th century there existed a Military Band version in the higher key of B♭,^[29] because it was easier for brass instruments to play in that key, though it had the disadvantage of being more difficult to sing: however now most Bands play it in the correct key of concert G.

Since 1953, the anthem is sometimes preceded by a fanfare composed by Gordon Jacob for the coronation of Queen Elizabeth II.^[30]

Alternative British versions

There have been several attempts to rewrite the words. In the nineteenth century there was some lively debate about the national anthem as verse two was considered by some to be slightly offensive in its use of the phrase "scatter her enemies". Some thought it placed better emphasis on the respective power of Parliament and the Crown to change "her enemies" to "our enemies"; others questioned the theology and proposed "thine enemies" instead. Sydney G. R. Coles wrote a completely new version, as did Canon F. K. Harford.^[31]

O Lord Our God Arise

An additional stanza sung second was previously considered part of the standard lyrics in the UK:

O Lord our God arise
Scatter his enemies
And make them fall
Confound their politics
Frustrate their knavish tricks
On thee our hopes we fix
God save us all

These lyrics appeared in some works of literature prior the coronation of Queen Elizabeth II, but only the version mentioned in the Standard Version in the United Kingdom was used at her Coronation, and ever since on all official occasions when two stanzas have been sung.^[32]

William Hickson's alternative version

In 1836, William Edward Hickson wrote an alternative version, of which the first, third, and fourth verses gained some currency when they were appended to the national anthem in The English Hymnal (1906). The fourth Hickson verse was sung after the traditional first verse at Queen Elizabeth II's Golden Jubilee National Service of Thanksgiving in 2002, and during the raising of the Union Flag during the 2008 Summer Olympics closing ceremony, in which London took the baton from Beijing to host the 2012 Summer Olympics. This verse is currently used as the final verse by the Church of Scotland.^[33]

God bless our native land!
May Heav'n's protecting hand
Still guard our shore:
May peace his power extend,
Foe be transformed to friend,
And Britain's rights depend
On war no more.

O Lord, our monarch bless
With strength and righteousness:
Long may he reign:
His heart inspire and move
With wisdom from above;
And in a nation's love
His throne maintain.

May just and righteous laws
Uphold the public cause,
And bless our Isle:
Home of the brave and free,
Thou land of Liberty,
We pray that still on thee
Kind Heav'n may smile.

Not in this land alone,
But be God's mercies known
From shore to shore:
Lord make the nations see
That men should brothers be,
And form one family
The wide world o'er.

Samuel Reynolds Hole's alternative version

To mark the celebration of the Diamond Jubilee of Queen Victoria, a modified version of the second verse was written by the Dean of Rochester, the Very Reverend Samuel Reynolds Hole. A four-part harmony setting was then made by Frederick Bridge, and published by Novello.

O Lord Our God Arise,
Scatter her enemies,
Make wars to cease;
Keep us from plague and dearth,
Turn thou our woes to mirth;
And over all the earth
Let there be peace.

The Musical Times commented: "There are some conservative minds who may regret the banishment of the 'knavish tricks' and aggressive spirit of the discarded verse, but it must be admitted that Dean Hole's lines are more consonant with the sentiment of modern Christianity." Others reactions were more negative, one report describing the setting as "unwarrantable liberties...worthy of the severest reprobation", with "too much of a Peace Society flavour about it...If we go about pleading for peace, other nations will get it into their heads that we are afraid of fighting." Perhaps unsurprisingly, Hole's version failed to replace the existing verse permanently.^{[34][35][36][37]}

Official peace versionedit

A less militaristic version of the song, titled "Official peace version, 1919", was first published in the hymn book Songs of Praise in 1925.^[38] This was "official" in the sense that it was approved by the British Privy Council in 1919.^[21] However, despite being reproduced in some other hymn books, it is largely unknown today.^[39]

God save our gracious King!
Long live our noble King!
God save the King!
Send him victorious
Happy and glorious
Long to reign over us
God save the King!

One realm of races four
Blest more and ever more
God save our land!
Home of the brave and free
Set in the silver sea
True nurse of chivalry
God save our land!

Of many a race and birth
From utmost ends of earth
God save us all!
Bid strife and hatred cease
Bid hope and joy increase
Spread universal peace
God save us all!

Historic Jacobite and anti-Jacobite alternative versesedit

Around 1745, anti-Jacobite sentiment was captured in a verse appended to the song, with a prayer for the success of Field Marshal George Wade's army then assembling at Newcastle. These words attained some short-term use, although they did not appear in the published version in the October 1745 Gentleman's Magazine. This verse was first documented as an occasional addition to the original anthem by Richard Clark in 1814,^[40] and was also mentioned in a later article on the song, published by the Gentleman's Magazine in October 1836. Therein, it is presented as an "additional verse... though being of temporary application only... stored in the memory of an old friend... who was born in the very year 1745, and was thus the associate of those who heard it first sung", the lyrics given being:^[41]

Lord, grant that Marshal Wade
May by thy mighty aid
Victory bring;
May he sedition hush,
and like a torrent rush
Rebellious Scots to crush!
God save the King!

The 1836 article and other sources make it clear that this verse was quickly abandoned after 1745 (Wade was replaced as Commander-in-Chief within a year following the Jacobite invasion of England), and it was certainly not used when the song became accepted as the British national anthem in the 1780s and 1790s.^[42][43] It was included as an integral part of the song in the Oxford Book of Eighteenth-Century Verse of 1926, although erroneously referencing the "fourth verse" to the Gentleman's Magazine article of 1745.^[44]

On the opposing side, Jacobite beliefs were demonstrated in an alternative verse used during the same period:^[45]

God bless the prince, I pray,
God bless the prince, I pray,
Charlie I mean;
That Scotland we may see
Freed from vile Presbyt'ry,
Both George and his Feckie,
Ever so, Amen.

In May 1800, following an attempt to assassinate King George III at London's Drury Lane theatre, playwright Richard Sheridan immediately composed an additional verse, which was sung from the stage the same night:^[46][47]

From every latent foe
From the assassin's blow
God save the King
O'er him Thine arm extend
For Britain's sake defend
Our father, king, and friend
God save the King!

Various other attempts were made during the eighteenth and nineteenth centuries to add verses to commemorate particular royal or national events. For example, according to Fitzroy Maclean, when Jacobite forces bypassed Wade's force and reached Derby, but then retreated and when their garrison at Carlisle Castle surrendered to a second government army led by King George's son, the Duke of Cumberland, another verse was added.^[48] Other short-lived verses were notably anti-French, such as the following, quoted in the book Handel by Edward J. Dent:^[49]

From France and Pretender
Great Britain defend her,
Foes let them fall;
From foreign slavery,
Priests and their knavery,
And Popish Reverie,
God save us all.

However, none of these additional verses survived into the twentieth century.^[50] Updated "full" versions including additional verses have been published more recently, including the standard three verses, Hickson's fourth verse, Sheridan's verse and the Marshal Wade verse.^[51][52]

Historic republican alternativeedit

A version from 1794 composed by the American republican and French citizen Joel Barlow^[53] celebrated the power of the guillotine to liberate:^[54][55]

God save the Guillotine
Till England's King and Queen
Her power shall prove:
Till each appointed knob
Affords a clipping job
Let no vile halter rob
The Guillotine

France, let thy trumpet sound –
Tell all the world around
How Capet fell;
And when great George's poll
Shall in the basket roll,
Let mercy then control
The Guillotine

When all the sceptre'd crew
Have paid their Homage, due
The Guillotine
Let Freedom's flag advance
Till all the world, like France
O'er tyrants' graves shall dance
And peace begin.

Performance in the UKedit

The style most commonly heard in official performances was proposed as the "proper interpretation" by King George V, who considered himself something of an expert (in view of the number of times he had heard it). An Army Order was duly issued in 1933, which laid down regulations for tempo, dynamics and orchestration. This included instructions such as that the opening "six bars will be played quietly by the reed band with horns and basses in a single phrase. Cornets and side-drum are to be added at the little scale-passage leading into the second half of the tune, and the full brass enters for the last eight bars". The official tempo for the opening section is a metronome setting of 60, with the second part played in a broader manner, at a metronome setting of 52.^[56] In recent years the prescribed sombre-paced introduction is often played at a faster and livelier tempo.

Until the latter part of the 20th century, theatre and concert goers were expected to stand while the anthem was played after the conclusion of a show. In cinemas this brought a tendency for audiences to rush out while the end credits played to avoid this formality. (This can be seen in the 1972 Dad's Army episode "A Soldier's Farewell".)

The anthem continues to be played at some traditional events such as Wimbledon, Royal Variety Performance, the Edinburgh Tattoo, Royal Ascot, Henley Royal Regatta and The Proms as well as at Royal events.

The anthem was traditionally played at close-down on the BBC, and with the introduction of commercial television to the UK this practice was adopted by some ITV companies (with the notable exceptions of Granada, Thames Television, Central Television, Border Television, and Yorkshire Television). BBC Two also never played the anthem at close-down, and ITV dropped the practice in the late 1980s when the network switched to 24 hour broadcasting, but it continued on BBC One until 8 November 1997 (thereafter BBC One began to simulcast with BBC News after end of programmes). The tradition is carried on, however, by BBC Radio 4, which plays the anthem each night as a transition piece between the end of the Radio 4 broadcasting and the move to BBC World Service.^[57] BBC Radio 4 and BBC Radio 2 also play the National Anthem just before the 0700 and 0800 news bulletins on the actual and official birthdays of the King and the birthdays of senior members of the Royal Family. On 17 January 2022, the GB News Channel started playing the anthem at 05:59 every morning at the beginning of the day's programming.^[58]

The UK's national anthem usually prefaces The Sovereign's Christmas Message (although in 2007 it appeared at the end, taken from a recording of the 1957 television broadcast), and important royal announcements, such as of royal deaths, when it is played in a slower, sombre arrangement.

Performance in Lancashireedit

Other British anthemsedit

Frequently, when an anthem is needed for one of the constituent countries of the United Kingdom – at an international sporting event, for instance – an alternative song is used:

• England generally uses "God Save the King", but "Jerusalem", "Rule, Britannia!" and "Land of Hope and Glory" have also been used.^[59][60]
  • At international test cricket matches, England has, since 2004, used "Jerusalem" as the anthem.^[61]
  • At international rugby league matches, England uses "God Save the King" and also "Jerusalem".^[62]
  • At international rugby union and football matches, England uses "God Save the King".^[63]
  • At the Commonwealth Games, Team England uses "Jerusalem" as their victory anthem.^[64]
• Scotland uses "Flower of Scotland" as their anthem for most sporting occasions.^[65]
• Wales uses "Hen Wlad Fy Nhadau" ("Land of My Fathers") for governmental ceremonies and sporting occasions. At official occasions, especially those with royal connections, "God Save the King" is also played.^[66]
• Northern Ireland uses "God Save the King" as its national anthem. However, many Irish nationalists feel unrepresented by the British anthem and seek an alternative.^[67] Northern Ireland also uses the "Londonderry Air" as its victory anthem at the Commonwealth Games.^[68] When sung, the "Londonderry Air" has the lyrics to "Danny Boy". At international rugby union matches, where Northern Irish players compete alongside those from the Republic of Ireland as part of an All-Ireland team, "Ireland's Call" is used.
• The British and Irish Lions rugby union tour of 2005 used the song "The Power of Four", but this experiment has not been repeated.^[69]

The London 2012 Olympics Opening Ceremony provided a conscious use of three of the four anthems listed above; the ceremony began with a rendition of the first verse of "Jerusalem", before a choir in Northern Ireland sang "Danny Boy" and a choir in Edinburgh performed part of "Flower of Scotland". Notably, Wales was represented by the hymn "Bread of Heaven", not "Hen Wlad Fy Nhadhau".

In April 2007, there was an early day motion, number 1319, to the British Parliament to propose that there should be a separate England anthem: "That this House ... believes that all English sporting associations should adopt an appropriate song that English sportsmen and women, and the English public, would favour when competing as England". An amendment (EDM 1319A3) was proposed by Evan Harris that the song "should have a bit more oomph than God Save The Queen and should also not involve God."^[70]

For more information see also:

• National anthem of England
• National anthem of Scotland
• Hen Wlad Fy Nhadau
• National anthem of Northern Ireland

Use in mediaedit

On 3 November 2016, Conservative MP Andrew Rosindell argued for a return to the broadcasting of "God Save the Queen" at the end of BBC One transmissions each day. The practice was dropped in 1997 (ostensibly due to BBC One adopting 24-hour broadcasting by simulcasting BBC News 24 overnight, rendering closedown obsolete).^[71]

Since 18 January 2022, GB News has played "God Save the Queen" at the start of live programming every day.^[72][73]

Use in other Commonwealth countriesedit

"God Save the King" was exported around the world via the expansion of the British Empire, serving as each country's national anthem. Throughout the Empire's evolution into the Commonwealth of Nations, the song declined in use in most states which became independent. In New Zealand, it remains one of the official national anthems.^[74]

Australiaedit

In Australia, the song has standing through a Royal Proclamation issued by Governor-General Sir Ninian Stephen on 19 April 1984.^[75] It declared "God Save the Queen" to be the Royal Anthem and that it is to be played when the Australian monarch or a member of the Royal Family is present, though not exclusively in such circumstances. The same proclamation made "Advance Australia Fair" the national anthem and the basis for the "Vice-Regal Salute" (the first four and last two bars of the anthem).

Prior to 1984, "God Save the Queen" was the national anthem of Australia.^[76] In 1975, former Prime Minister Gough Whitlam, dismissed by Governor-General Sir John Kerr, alluded to the anthem in his comment "Well may we say 'God save the Queen', because nothing will save the Governor-General!".^[77]

Belizeedit

"God Save the King" is the royal anthem of Belize.^[78] The Vice-Regal Salute to the Belizean governor general is composed of the first verse of "God Save the King" and the chorus of National Anthem, "Land of the Free".^[79]

Canadaedit

By convention,^[80] "God Save the King" (French: Dieu Sauve le Roi, Dieu Sauve la Reine when a Queen) is the royal anthem of Canada.^{[81][82][83][84][85]} It is sometimes played or sung together with the national anthem, "O Canada", at private and public events organised by groups such as the Government of Canada, the Royal Canadian Legion, police services, and loyal groups.^{[86][87][88][89][90]} The governor general and provincial lieutenant governors are accorded the "Viceregal Salute", comprising the first three lines of "God Save the King", followed by the first and last lines of "O Canada".^[91]

"God Save the King" has been sung in Canada since the late 1700s and by the mid 20th century was, along with "O Canada", one of the country's two de facto national anthems, the first and last verses of the standard British version being used.^[92] By-laws and practices governing the use of either song during public events in municipalities varied; in Toronto, "God Save the King" was employed, while in Montreal it was "O Canada". Prime Minister Lester B. Pearson in 1964 said one song would have to be chosen as the country's national anthem and, three years later, he advised Governor General Georges Vanier to appoint the Special Joint Committee of the Senate and House of Commons on the National and Royal Anthems. Within two months, on 12 April 1967, the committee presented its conclusion that "God Save the Queen" (as this was during the reign of Queen Elizabeth II), whose music and lyrics were found to be in the public domain,^[93] should be designated as the royal anthem of Canada and "O Canada" as the national anthem, one verse from each, in both official languages, to be adopted by parliament. The group was then charged with establishing official lyrics for each song; for "God Save the Queen", the English words were those inherited from the United Kingdom and the French words were taken from those that had been adopted in 1952 for the coronation of Elizabeth II.^[82] When the bill pronouncing "O Canada" as the national anthem was put through parliament, the joint committee's earlier recommendations regarding "God Save the Queen" were not included.^[93]

The Department of National Defence and the Canadian Forces regulates that "God Save the King" be played as a salute to the monarch of Canada and other members of the Canadian royal family,^[94] though it may also be used as a hymn or prayer. The words are not to be sung when the song is played as a military royal salute and is abbreviated to the first three lines, while arms are being presented.^[94] Elizabeth II stipulated that the arrangement in G major by Lieutenant Colonel Basil H. Brown be used in Canada. The authorised version to be played by pipe bands is Mallorca.^[94]

Lyrics in Canadaedit

"God Save the King" has been translated into French,^[95] but this translation does not fit the music and cannot be sung. Nevertheless, this translation has been adapted into a bilingual version that can be sung when the monarch is male, and has been sung during public ceremonies, such as the National Remembrance Day Ceremony at the National War Memorial in Ottawa:^[96]

Dieu sauve notre Roi,
Notre gracieux Roi,
Vive le Roi !
Send him victorious,
Happy and glorious;
Long to reign over us,
God save the King!

A special singable one-verse adaptation^[97] is used when a singable French version is required, such as when royalty is present at an official occasion:

There is a special Canadian verse in English which was once commonly sung in addition to the two standing verses:^[92]

Our loved Dominion bless
With peace and happiness
From shore to shore;
And let our Empire be
Loyal, united, free,
True to herself and Thee
For evermore.

Channel Islandsedit

"God Save the King" is used by both Bailiwicks of the Channel Islands as an alternative to their respective national anthems. Its use case and popular version is generally similar to how it is used in the United Kingdom. However, the anthem has been translated in Jèrriais:^[98]: 35

The meaning is broadly similar to the first paragraph of the English version, except for the first two lines which say "God save our Duke" and "Long live our Duke".

New Zealandedit

New Zealand inherited "God Save the King" as its anthem, which served as the sole national anthem until 1977, when "God Defend New Zealand" was introduced as a second. Since then, "God Save the King" is most often only played when the sovereign, governor-general^[99] or other member of the Royal Family is present, or on some occasions such as Anzac Day.^[100][101] The Māori-language version was written by Edward Marsh Williams under the title, "E te atua tohungia te kuini".^[102]

There is a special New Zealand verse in English which was once commonly sung to replace the second and third verses:^[103]

Not on this land alone
But be God's mercies known
From shore to shore.
Lord, make the nations see
That we in liberty
Should form one family
The wide world o'er.

Lyrics in Māoriedit

All verses of "God Save the King" have been translated into Māori.^[102] The first verse is shown below:

Zdroj:https://en.wikipedia.org?pojem=God_Save_the_Queen/King
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