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| Thaat | Asavari |
|---|---|
| Time of day | Midnight |
| Arohana | S R (M)g, M P (n)d n S' |
| Avarohana | S' (n)d n P M P (M)g, M R S |
| Vadi | R |
| Samavadi | P |
| Synonym | Durbari |
| Similar |
| Hindustani classical music | ||||||
|---|---|---|---|---|---|---|
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Darbari Kanada, or simply Raga Darbari (pronounced darbāri kānada), is a raga in Carnatic music. It is a janya ragam (derived scale) of 20th Melakarta raga Natabhairavi. Being an ancient raga, its original name is unknown. It is believed to be borrowed into Hindustani classical music by Miyan Tansen, the famous 16th-century composer in emperor Akbar's court. It belongs to the Kanada family. This tradition is reflected in the name itself; Darbar is the Persian derived word in Hindi meaning "court." As the most familiar raga in the Kanada family, it may sometimes also be called Shuddha Kanada or pure Kanada. It belongs to the Asavari thaat.[1] This raag is called raaga Kaanada in Yakshagana Karnataka state dance. It is also sometimes written as Durbari and Durbarikanada.[2]
In Hindustani classical music
In Hindustani music, Darbari follows almost its original style of singing from the Carnatic music. It is a grave raga, played deep into the night, considered to be one of the more difficult to master, and with the potential for profound emotional impact.[3]
Darbari is a very serious raga and hence, slow and elaborate meend and andolan are generally more preferred than light and frivolous ornamentations like murki or khatka. The improvisation of Darbari is done more in the mandra saptak, or lower octave. The ascension of arohana is in the lower and middle octaves. In the avarohana the note Ga (gandhar) komal is used in a slow vibrato (andolan) on this note. Similarly, komal Dha is also used by Andolan. The Andolan of komal Ga and komal Dha add to the gravity of the raga. The association of the notes Ni and Pa sounds pleasing. Its Vadi swara is Re and Samavadi is Pa.
arohana: S R (R)g, (R)g M P d n S'
avarohana: S' d n P M P (M)g, (M)g M (S)R, S
For reference, the set of notes in the Asavari thaat is S R g M P d n, and for Darbari, the role of the komal gandhar is crucial, as is dwelling on the lower komal dhaivat for some time. Other ragas in the Kanada family include Abhogi Kanada, Shahana Kanada, and Adana (Adana is part of the Kanada Raga group).
Important recordings
- Amir Khan, Raagaas Maarwa and Darbaari, Odeon LP (long-playing record), ODEON-MOAE 103, later reissued by HMV as EMI-EALP1253, critically regarded as a benchmark for both Maarwa and Darbaari.
- Pt. D. V. Paluskar, Jhanak Jhanakva More Bitchuwa, Golden Milestones, D. V. Paluskar. This is actually closer to raag Adaana than Darbaari.
- East Atlanta rapper JID, samples the Darbaari raga on his song 151 Rum (song)
In Carnatic music
It is an ubhaya vakra sampurna rāgam derived from the 20th melakarta rāgam Natabhairavi.[4] It is an extremely melodious raga. It can create extreme and unparalleled emotional impact. It is said to evoke feeling of sadness, longing and romance to listeners. Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on the notations used):
This scale uses the notes chatusruti rishabham, sadharana gandharam, shuddha madhyamam, shuddha dhaivatham, kaisiki nishadham.[4]
Compositions in Carnatic music
- Chandra chuda shiva shankara parvati by Purandara Dasa
- Govardhana Giridhara by Narayana Teerthar[citation needed]
- Nee ninaindhal by Periyasaami Thooran[citation needed]
- Pâdodhi Kanyakâm by Kalyani Varadarajan[citation needed]
- Devan ke pati Indra by Swathi Thirunal
- Tum aur fareeb khaow by Farida Khanum
- Hari Tum Haro by Mirabai
- Darbari Thillana by Lalgudi Jayaraman